Phoenix Job Fair at the Holiday Inn & Suites Phoenix
This career fair will allow you to learn about the businesses that are hiring and what their hiring needs are.
read moreThis career fair will allow you to learn about the businesses that are hiring and what their hiring needs are.
read moreThe Box Office accepts Cash , Visa , Mastercard and American Express as methods of payment. Will call is available two hours prior to the start of the event. Will call is part of the South Ticket Office, on Autumn St near Santa Clara St. Customers must present the actual credit card used for the purchase, a photo ID and the Ticketmaster confirmation number in order to receive their tickets. The ticket office can be reached at (408) 287-9200 during business hours. The Box Office is located at the South East corner of the Arena, on the corner of Santa Clara St and Autumn St. Box Office hours are as follows: Mon - Fri .......... 10:00AM - 3:00PM Saturday & Sunday .... Closed SAP Center has designated seats for both wheelchair accessible seating and their companions. However, due to size constraints, companion seats will not fit a wheelchair. So patrons needing wheelchair accessible seating must purchase a wheelchair accessible seat as the SAP Center cannot turn a companion seat into a wheelchair accessible seat.
read moreCash, AmEx, Visa, MC Pick up tickets one hour prior to the show. Customers must present the actual credit card used to place the order and a photo ID. (212) 221-1211 Monday - Saturday 10am - 8pm Sunday 12pm - 6pm
read moreThe box office accepts cash, Visa, and MasterCard and Discover. Will Call is located on the north side of the stadium. Customer must present actual credit card, confirmation number, and photo ID. Bengals office: (513) 621-TDTD (8383) Tickets to non-Bengals evnets are NOT available in advance at the Box Office. No special seating arrangements are available through the Box Office. Non-Bengals events tickets are available at Paul Brown Stadium only on the Day of the Show. For the Bengals Box Office: Mon-Fri: 9:00am to 5:00pm Day of game: 3 hours prior to kickoff to halftime For all other Stadium events: Box Office hours for all non-Bengals events may vary on the day of the event Accessible seating: for Bengals games refer to box office (513) 621-TDTD (8383). For Music/Jazz Festival refer to (513) 924-0900. For all other Paul Brown Stadium events refer to Ticketmaster 1-800-745-3000.
read moreCampus Tours & Info Sessions are held several times per week. Please sign up for a date and time that works for you! We're excited to show you our brand new Chicago campus! We'll dive into our history, our three program offerings >> Software Engineering / Data Science / UI + UX Design (powered by our partner Designation), and what makes Flatiron School unique. After touring our space, we'll chat about admissions and how our career services team can help you find a career you'll love in tech. Tours are led by Michelle Peska, Community Lead. Want to connect with our admissions team? Click here to schedule a 10-minute phone call to learn more about our programs. Questions? Reach out to our Chicago team at chicago@flatironschool.com or call (312) 500-4049. Upcoming events: Want to learn more about Flatiron School and connect with our students and staff? Click here to RSVP to an upcoming event on-campus or online. Are you working through our Coding or Data Science Bootcamp Prep Course or prepping for your technical interview? RSVP for our next study session to work with our instructors 1:1. FAQs What are my transportation/parking options for getting to and from the event? Red Line at Grand St (1 block away) | Brown & Purple Line at Merchandise Mart (5 blocks away) Standard Parking at State/Grand St (across the street) Divvy Bike Sharing Station at E Hubbard & N Rush St (3 blocks away) Is there an elevator code and how do I check-in? No elevator code is needed. When entering the building, you can bypass the security desk and head to the 14th Floor. Check in with the WeWork team and let them know that you've arrived for a campus tour with Flatiron School. Someone from the Flatiron School team will meet you on the 14th Floor and take you to our campus. Can I bring a friend? Yes, the more, the merrier! What is Flatiron School? We're a global tech bootcamp with on-campus and online programs that train passionate people to excel in rewarding careers in software engineering, data science and UX/UI design. Learn more.
read moreJoin Chauvet Arts for “The Art of Unity” exhibit, a timely rotating show featuring the gallery's diverse roster of acclaimed artists during a time when artists are uniting more than ever. For more information about CHAUVET Arts, featured artists and upcoming exhibitions, please visit www.chauvetarts.com. 215 5th Avenue North Nashville, TN 37219 Open to the public five days a week, Tuesday through Saturday, 10 a.m. to 5 p.m.
read moreReturning to the studio as Watkins Family Hour, Sean and Sara Watkins consider brother sister a duo-centric record – yet one that feels bigger than just two people. With Sean primarily on guitar and Sara on fiddle, and with both of them sharing vocals, the siblings enlisted producer Mike Viola (Jenny Lewis, Mandy Moore, J.S. Ondara) and mixer-engineer Clay Blair to harness the energy and honesty of their live sound.
“From the beginning, our goal was to work on these songs to be as strong as they could be, just the two of us,” Sara explains. “And with a few exceptions on the record, that's really how things were. It was a tight little group of us, working dense days where we could squeeze them in.”
Sean (who is four years older than Sara) adds, “Because of the limited amount of time we had collectively to spend in the studio, there was a general sense of urgency, which I think the three of us (Sara, Mike and I) kinda strive for on these days. We didn't have that much time and that made it fun and exciting. It was just us, in one room, facing each other with some really great mics, often playing and singing at the same time, trying to capture what Sara and I do in a real way.”
For the first time, the Los Angeles-based siblings carved out time to write with each other, often during the naptime of Sara's toddler. They took early versions of the new songs to Viola, who instinctively rearranged some of the song structures in an effort to draw attention to interesting lyrics or surprising arrangements.
“Mike brings a diverse musical-history to his production work,” Sean says. “He's worked with a lot of people [from The Figgs to Fall Out Boy] that surpass just bluegrass or folk, but his sense of the songwriting craft and melody is right in line with us. He was bringing ideas that we would have never had, and vice versa."
As Watkins Family Hour's first project since a self-titled debut album in 2015, brother sister begins with “The Cure,” which Sean was inspired to write after watching Tidying Up With Marie Kondo. The concept of throwing things away is evident in the lyrics; there's also a sense of knowing that you're in an unhealthy relationship, but still choosing to avoid fixing it.
“Part of the fun of being a songwriter is being able to write about something that started from an image and then transcends that image to speak to something greater,” Sara observes.
Sara chose the beautiful “Neighborhood Name” after hearing it on a record by Courtney Hartman and Taylor Ashton, while “Just Another Reason” is an original that Sean describes as having “a vague, nebulous vibe” lingering below the surface. In contrast, the instrumental “Snow Tunnel” is like an epiphany, titled after Sean's memory of driving through Zion National Park, emerging from the darkness of a loud tunnel into a peaceful panorama of snow.
Moving from one landscape to the next – literally and musically -- is nothing new to Sean and Sara Watkins, who have performed separately and together for nearly their whole lives. Growing up near San Diego, they played countless shows at a local pizza place in Carlsbad, California, with their childhood friend, Chris Thile. As young adults, those three musicians broke out nationally as Nickel Creek, an acoustic ensemble that sold millions of albums, won a Grammy, and toured the world.
Encouraged by a local club owner in Los Angeles, Sean and Sara formed Watkins Family Hour in 2002 as an outlet to try out some original songs and a few covers that wouldn't work in Nickel Creek. That club, Largo, has since become the home base for Watkins Family Hour, whose shows frequently pair musicians who seem to have little in common, yet find a shared language in their music.
With Nickel Creek on hiatus, Sean and Sara released multiple solo albums and pursued other collaborations, most recently with Sara's involvement in I'm With Her. However, the siblings gravitated toward the idea of another Watkins Family Hour album after realizing that their calendars afforded them a rare opportunity to write, record, and tour together.
Their musical chemistry is clear on songs like “Lafayette,” an ode to Hollywood as well as the hometowns left behind by its aspiring stars; “Fake Badge, Real Gun,” about confronting authority figures as well as your own beliefs; “Miles of Desert Sand,” whose haunting coda underscores the vivid imagery of immigration; and “Bella and Ivan,” a playful instrumental named for a friend's two dogs who love to wrestle.
Two choice covers complete brother sister. Warren Zevon's poignant “Accidentally Like a Martyr,” which they unearthed for a tribute show, conveys all the complicated facets of love, and “Keep It Clean,” the rabble-rousing Charley Jordan gem from the ‘30s, serves as a grand finale, with David Garza, Gaby Moreno, and John C. Reilly all chiming in on vocals.
“That's just fun to sing,” Sean says. “Going into this record, we wanted to focus on the duo-centric thing, but this was a chance to lean into the group aspect, and have some of the people that have been a part of the Family Hour but weren't on the first record that we made years ago.”
However, brother sister remains exactly that – the result of a brother and sister creating music.
“It felt really good to dig into the potential of two people,” Sara says. “There are a few songs on the record where Matt Chamberlain comes in to play drums, and we filled in the low end in a few cases with Mike Viola playing MOOG or piano, but the primary goal of this record became to see what we could do when it is just the two of us. The arrangements and the writing were all focused on that. Listening now, I'm really proud of what we did. These are songs that would not have come out of either one of us individually, and it feels like a band sound, like this is what we do, the two of us.”
https://www.facebook.com/watkinsfamilyhour/
read more2019 – 27th International Conference on Research in Life-Sciences & Healthcare (ICRLSH), 24-25 December, Bangkok Conference Website: https://eurasiaresearch.org/conference/bangkok-icrlsh-24-25-dec-2019 Conference Name: 2019 – 27th International Conference on Research in Life-Sciences & Healthcare (ICRLSH), 24-25 December, Bangkok Conference Dates: 24-25 December 2019 Conference Venue: Asian Institute of Technology (AIT), Conference Center, Bangkok, Thailand Deadline for Abstract/Paper Submissions: 22 December 2019 Contact E-Mail ID: convener@eurasiaresearch.info Organising Scholarly Association: Healthcare & Biological Sciences Research Association (HBSRA) HBSRA List of Members: Click Here HBSRA President: Dr. Cecilia O. Martinez, Dean, College of Nursing, University of Manila, Manila, Philippines Conference Language: English Conference Themes: Healthcare, Life-Sciences & Nursing Conference Application Form: Click Here HBSRA Previous Conferences: Click Here Conference Publication in MCI Approved Journal – Valid Publication for MCI for promotion of Teaching Faculty. Journal in accordance with guidelines of MCI (Medical Council of India) (Vernacular Session, e.g., European Languages, Arabic, Bahasa, Thai, Chinese, Turkish, Japanese, Russian, will be organised for a minimum of 5 or more participants of a particular language) (Only English language, full-length, original papers will be considered for publication in conference journals)
read more