Visa, American Express, Mastercard
Will Call tickets may be picked up at the Visa Box Office at Levi’s® Stadium. The Will Call windows open three (3) hours prior to the event. Will call tickets can be claimed only by the person whose name appears on the Will Call envelope. Government issued photo identification is required. ****** Bag Policy – All Events ****** • In compliance with the NFL’s Bag Policy, Levi’s® Stadium prohibits all bags, backpacks and other carriers from being brought into the stadium with the following exceptions: • NFL approved clear plastic bags (12” x 6” x 12”) • One gallon clear plastic zip lock type bags • Small Clutch Bag (the size of an adult hand) (4.5” x 6.5”) All approved bags are subject to inspection upon entry and are subject to additional inspections within the stadium. Guests with oversized bags or other prohibited items must check these bags or items at bag check sites located in front of Intel Gate A and Dignity Health Gate C, Toyota Gate F. These sites close one hour after the completion of the event.
415-GO-49ERS (415-464-9377)
9AM to 5PM Monday through Friday, 10AM to 5PM Saturday through Sunday
Accessible seating for patrons requiring wheelchair access is available with up to 3 companions. FOR ALL OTHER ACCESSIBLE AND LIMITED MOBILITY CONCERNS, PLEASE CALL (415) 467-9377
Cash and All Major Credit Cards
Must have photo ID & credit card used to purchase tickets when picking up will call tickets
1-702-777-2782 or toll free at 1-855-234-7469
Accessible ramps to orchestra & mezzanine sections; Elevator service to balcony
Tickets are NOT sold at the Box Office windows. Verified tickets are available exclusively at www.ticketmaster.com
Will Call tickets may be picked up at the Ticketmaster Box Office at Allegiant Stadium beginning 4 hours prior to event time/kick-off. Government issued photo identification is required to claim will call tickets. Will call drop-off tickets are not permitted. Tickets are NOT sold at the Box Office windows. Verified tickets are available exclusively at www.ticketmaster.com
Allegiant Stadium Box Office: 725-780-2100 Visit www.allegiantstadium.com for complete venue information.
Standard Hours: Monday - Friday, 11:00AM - 5:00PM Event & Game Day Hours: 4 hours prior to event time/kick-off **Available for guest assistance only - Tickets are NOT sold at the box office**
Accessible seating is located throughout Allegiant Stadium and is available on ticketmaster.com. Please look for seats designated with an accessible icon to purchase. For additional accessible needs or questions, please email boxoffice@allegiantstadium.com or call the box office at 725-780-2100.
Cash, American Express, Mastercard, & Visa.
Will Call is located at the Box Office.
Box Office Telephone: 323-468-1770
The Pantages Box Office opens daily at 10am. NO ONE UNDER THE AGE OF 5 ADMITTED
There is no elevator in the Pantages Theatre. Disabled seating is reserved for the exclusive use of the disabled patron and their companion. The purchase or use of disabled seating locations by non-disabled individuals is strictly prohibited and may result in ejection and/or forfeiture of the ticket price.
Cash, EFTPOS, Credit Card
Non-Show Days: Mon to Fri: 9am - 5pm Weekends and Public Holidays: Closed Show Days: Mon to Fri: 9am - 1 hour after show commences Weekends and Public Holidays: 3 hours prior to show time and 1 hour after show time Box Office Location Crown Melbourne, Level 1 (Clarendon Street end of the Crown complex, near Gazette and Village Cinemas).
Disabled Access - yes, in section A only for wheelchairs. Please contact the Crown Box Office directly for all wheelchair and special needs bookings on (03) 9292 5103
The Box Office accepts Visa, Mastercard, Discover,cash and checks for family shows only.
Will Call tickets can be picked up after 6PM at the Box Office. Customers must present the actual credit card, a picture ID and the confirmation number.
(859) 233-3535
The Box Office hours are as follows: Monday through Friday - 10AM to 6PM Saturday & Sunday - Closed Day of show - 12PM until 1 hour after show time
Rupp Arena is handicap accessible. Seating is available at the Box Office and through Ticketmaster. For more personalized assistance please contact the box office at 859-233-3535. For University of Kentucky Basketball, call 800-928-2287.
Date Mon, April 19, 2021 Time9:00 PM Doors8:00 PM Ticket Prices* $35.00 Day of Show $35.00 AgesAll Ages to Enter, 21 & Over to Drink Get TicketsArtist Information
Is that a goddamn bouzouki? you may ask. A pedal steel guitar? What kind of Stephen Malkmus album is this, anyway?
It’s called folk music, and it’s taking the country by storm. Stephen Malkmus is only the latest popular artist to apply this old new approach to their rock and roll sounds.
Take the name Traditional Techniques with as much salt as you’d like or dig the Adorno reference, Malkmus’s third solo LP without the Jicks (or Pavement) is as organic as they come. It’s packed with handmade arrangements, modern folklore, and 10 songs written and performed in Malkmus’s singular voice. An adventurous new album in an instantly familiar mode, Traditional Techniques creates a serendipitous trilogy with the loose fuzz of the Jicks’ Sparkle Hard (Matador, 2018) and the solo bedroom experiments of Groove Denied (Matador, 2019). Taken together, these three very different full-lengths in three years highlight an ever-curious songwriter committed to finding untouched territory. Perhaps some of these “folk” musicians could take a lesson or two.
Created in the spontaneous west coast style adopted so infectiously by young American musicians in this time of global turmoil, Malkmus took on Traditional Techniques as a kind of self-dare. Conceived while recording Sparkle Hard with the Jicks at Portland’s Halfling Studio, Malkmus had observed the variety of acoustic instruments available for use. The idea escalated within a matter of weeks into a full set of songs and shortly thereafter into a realized and fully committed album. When he returned to Halfling, Malkmus drew from a whole new musical palette--including a variety of Afghani instruments--to support an ache both quizzical and contemporary. Stephen Malkmus isn’t one of those “hung up” musicians one reads about so frequently these days, sequestered in a jungle room of the heart. The jukebox in Malkmus’s private grotto remains fully updated. Not only is the artist present, but he’s on Twitter.
Traditional Techniques is new phase folk music for new phase folks, with Malkmus as attuned as ever to the rhythms of the ever-evolving lingual slipstream. Instead of roses, briars, and long black veils, prepare for owns, cracked emojis, and shadowbans. Centered around the songwriter’s 12-string acoustic guitar, and informed by a half-century of folk-rock reference points, Traditional Techniques is the product of Malkmus and Halfling engineer/arranger-in-residence Chris Funk (The Decemberists). Playing guitar is friend-to-all-heads Matt Sweeney (Bonnie “Prince” Billy, Chavez, and too many other to count), who’d previously crossed paths with Malkmus on the opposite end of the longhairs’ map of the world, most lately gnarling out together back east in the jam conglomerate Endless Boogie.
But, buyer beware, no matter how these recordings might be tagged by your nearest algorithm, the expansive and thrilling folk-rock sounds of Traditional Techniques aren’t SM Unplugged. One might even question his commitment to acoustic instruments, but we’ll leave that for somebody else’s hot take. All we’re saying is watch your head. Because alongside all that gorgeous folk music (“The Greatest Own in Legal History,” “Cash Up”), there are also occasional bursts of flute-laced swagger (“Shadowbanned”), straight-up commune rock (“Xian Man”), and mind-bending fuzz in places you least expect it (“Brainwashed”).
It’s hard to call Traditional Techniques “long awaited,” because Stephen Malkmus just put out an album last year, but it’s also exactly that. While he may have taken his sweet time in jumping on the folk music boom, surely there are those among us who have fantasized about how lovely it might sound if SM would just get with the times. And it sounds like all that and beyond. Set a day or two aside to transcribe the lyrics like the Dylanlogists of yore (though please keep your garbology to yourself) and vibe on the shape of folk to come with Stephen Malkmus.