Moe's Alley proudly presents KPIG favorites SOUTHERN CULTURE ON THE SKIDS.
Southern Culture On The Skids has been consistently recording and touring around the world since its inception in 1983, when Rick Miller was a grad student at UNC-Chapel Hill. The current lineup (Dave Hartman – drums; Mary Huff – bass and vocals; Rick Miller – guitar and vocals) has been playing together for over 30 years. The band’s musical journey has taken them from all-night NC house parties to late night network talk shows, and from performing at the base of Mt. Fuji in Japan to rockin’ out for the inmates at NC Correctional Facilities. Their music has been featured in movies and TV, and used to sell everything from diamonds to pork sausage, and their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll.
SCOTS’ DIY roots go all the way back to the days of making cassette demos in the dirt floor basement of the original band house. “It was a beat down house we found in the woods, covered in kudzu vines”, Rick recalls. “We hunkered down there and came up with the sound and ideas we’ve been refining and tweaking ever since; a blue plate special of musical genres, all mixed together to give up new flavors and combinations.”
Philippe Daverio
I DONN DE MILANI SALOTTI DE MILAN
Ho deciso di essere politicamente scorretto: penso che le donne e gli uomini siano diversi, ed è lì che sta il bello della questione.
Sono pure fiero di essere milanese, cioè di una città dove il cosmo femminile ha giocato un ruolo centrale nell’evoluzione verso la modernità. Milano è stata ducale e autonoma, poi francese, spagnola, austriaca e infine italiana, ma sempre con una curiosa caratteristica: le donne vi hanno giocato un ruolo centrale, poco alla volta si sa, ma con una presenza costante, da Isabella di Valois a Beatrice d’Este, da Isabella d’Aragona a Caterina Visconti.
Furono poste in un cono d’ombra negli anni ispanici ma tornarono alla ribalta nel periodo austriaco, durante il quale Cristina Trivulzio di Belgioioso divenne promotrice dell’indipendenza d’Italia e nel salotto di Clara Maffei si incontravano tutti gli spiriti liberi, per non parlare della emancipatissima Giulia Beccaria, madre di Alessandro Manzoni.
Non stupisce quindi che agli albori del ventesimo secolo si fecero autentiche protagoniste della vita politica Anna Kuliscioff e Margherita Sarfatti. A tutte loro sono dedicate queste riflessioni.
Philippe Daverio
FAQ
Come raggiungo il Teatro con i mezzi pubblici o dove posso parcheggiare?
MEZZI PUBBLICI
M3 Crocetta – Tram 16, 24 – Bus 77, 94
PARCHEGGIO CONVENZIONATO
Parcheggio del Centro (via Calderon de la Barca, 2):tariffa a forfait € 4,50 per gli spettacoli serali (dalle ore 19.00 alla 01.00) e per quelli pomeridiani (dalle ore 14.30 alle 20.30).Il biglietto ritirato al parcheggio dovrà essere vidimato all’apposita obliteratrice posta in teatro, sul lato sinistro della cassa: solo così, al ritiro della vettura, verrà applicata la tariffa agevolata.Il pagamento (alla cassa manuale oppure a quella automatica) dovrà essere effettuato prima del ritiro della vettura.
Come posso contattare il Teatro per eventuali domande?
Contattando l’Ufficio Promozione del Teatro allo 02-55181362 o 02-55181377 - interno 2 (da lunedì a sabato, dalle ore 10.00 alle ore 18.30 - orario continuato) oppure via e-email a info@teatrocarcano.com.
Devo portare le conferme d’ordine stampate per poter accedere allo spettacolo?
È necessario portare le conferme d’ordine stampate in botteghino prima di accedere alla sala e convertirle con i biglietti con fila e posto assegnati. Le conferme d’ordine possono essere convertite solo il giorno stesso dello spettacolo a partire da un’ora prima dell’inizio.
Il nome sulla mia conferma d’ordine o sulla registrazione non corrisponde al nome della persona che parteciperà, è un problema?
Non è un problema.
The box office accepts cash, Visa, and MasterCard and Discover.
Will Call is located on the north side of the stadium. Customer must present actual credit card, confirmation number, and photo ID.
Bengals office: (513) 621-TDTD (8383) Tickets to non-Bengals evnets are NOT available in advance at the Box Office. No special seating arrangements are available through the Box Office. Non-Bengals events tickets are available at Paul Brown Stadium only on the Day of the Show.
For the Bengals Box Office: Mon-Fri: 9:00am to 5:00pm Day of game: 3 hours prior to kickoff to halftime For all other Stadium events: Box Office hours for all non-Bengals events may vary on the day of the event
Accessible seating: for Bengals games refer to box office (513) 621-TDTD (8383). For Music/Jazz Festival refer to (513) 924-0900. For all other Paul Brown Stadium events refer to Ticketmaster 1-800-745-3000.
Cash, American Express, Mastercard, & Visa.
Will Call is located at the Box Office.
Box Office Telephone: 323-468-1770
The Pantages Box Office opens daily at 10am. NO ONE UNDER THE AGE OF 5 ADMITTED
There is no elevator in the Pantages Theatre. Disabled seating is reserved for the exclusive use of the disabled patron and their companion. The purchase or use of disabled seating locations by non-disabled individuals is strictly prohibited and may result in ejection and/or forfeiture of the ticket price.
Welcome, everyone to Our 1st annual Black Conference. This conference is long overdue and is the official conference representing the African Diaspora. The main purpose of this conference to:
1. Put in nominations for our official Black Gov't.
2. Begin the process of establishing a Collective Treasury.
3. Explore investment opportunities (real estate).
4. Establish a central care line/website/media outlet which brings us all together, allows us to express any concerns we are having publicly to form a sense of collectivism/unity and support. Keep us all on the same page.
These have been understood to be some of our major issues. No doubt, this is only the 1st annual conference. We must take this slowly, it is understood that it will take time to address most of our issues but we must start somewhere. I am very happy to have been blessed with the idea for this conference as well as the knowledge to understand why it is important. Who really knows why we have had to go through the things we've been through as a people? Hey, maybe this is the stuff greatness is made of it reminds me of a quote of mine which says, "we are the ancestors of a great people." Therefore, all we can really do is, first, learn who we are- in reality. And then, put one foot in front of the other and keep it moving. That's it. So here we are. We're here. Let's make the best of it.
Friday 7pm-10pm Networking Reception- alternate location
Saturday
7am-9am Breakfast
Music performance
Speaker 10am-10:50
Music performance
11am-11:30 Speaker
11:30-12 Speaker
12-1 Lunch
1-3 breakout discussions for action planning
Music performance
3-3:50 Speaker
Music performance
4-4:30 Speaker
4:30-4:45 Speaker
4:45-5:15 Speaker
5:30-6:30 Dinner- alternate location
Music performance
7pm- 8pm Speaker
10pm until... Dancing and networking at alternate location
Our Black Conference is the first annual Black Consciousness Conference with aims to unify black people from the world over in order to counter political issues and to educate and liberate black people. Our black conference will include speakers, music, and discussion around political organizing.
The objective of this program is to provide knowledge, and detailed understanding of equity investments followed in the private equity industry. This course will help participants to improve their knowledge and develop their professional skills required in the private equity industry or dealing with private equity professionals.
Overview
The Course curriculum includes total investment, due diligence, monitoring, and negotiation processes from the owners’ as well as investors’ perspectives.
Upon completion of this course, participants will have a clear understanding of the critical processes, challenges and issues faced in the industry as well as be able to differentiate between various transaction structures, their implications and provide an explanation on how to analyze and negotiate term sheets.
A case study discussion included in this program detailing the complete process of private equity investments which will provide participants with more significant and valuable knowledge that will be useful in their business and profession.
Who should attend
All individuals who want to improve their knowledge and further develop their professional skills in the private equity space
Professionals who are seeking a career in private equity
CEOs, head of business units, departments and decision-making personnel - who want to deal or currently dealing with private equity firms
Middle to senior managers from any industry
Analysts/ investment bankers/ finance professionals with CPA, CFA, MBA, etc
Candidates who want to set up private equity business
Methodology
The non-theoretical methodology which includes interactive discussions, case studies, interactive games and assignments to understand the concepts and their applicability in current economic and financial environment.
Trainer
All our trainers are carefully chosen by us and possess a rich and vast experience in the financial sector. This course is conducted by an experienced training consultant having more than 17 years of industry experience with some of the world’s leading business institutions, specializing in corporate finance, investment banking, and private equity.
Course Content
Module – 1
Private equity industry structure and importance
Industry structure and overview
Different types of private equity funds and their strategy
Summary of private equity processes - due diligence and investments, documentation, monitoring, and exits
Module – 2
Company analysis process
Company analysis including competitive positioning and its mapping in the industry
How to analyze financial models of the investee companies
Evaluate promoters and management team
Study the capital structure
How to run the valuation exercise (DCF, Comparables, NAV, multiple-based, operational metrics, etc)
Identify key pitfalls
Sensitivity analysis and its impact on overall returns
Module – 3
How to prepare investment proposal and Investment Committee presentation
Structure of Investment proposal
Keys points in the proposal
Importance of return and exit information
Preparation for Investment Committee presentation
Points to remember for presenting to Investment Committee
Report to be prepared for Investment Committee meeting
Module – 4
Due Diligence
How to create your due diligence plan
How to balance role of external and internal service providers
Key focus areas
Financial models
Business
Legal
Accounting
Management due diligence
How to resolve post due diligence observations
How to identify keys
Module – 5
Documentation (commercial overview)
Keys terms and their impact on business- Minority Protection, Affirmative Rights, Exit rights, Conditions Precedents, Board rights etc
How to negotiate effective terms sheets
Key points to focus while negotiating shareholders agreement
Module – 6
Investment structures
What are the various structures for investments
Direct Equity - private market, public market, listed and unlisted market
Equity-linked debt - mezzanine funding, convertible securities etc
Debt funding - bridge funding, subordinated debts, securitization and structured finance
Module – 7
Monitoring investments and value-add
How to help the investee company develop a common business goal and plan
How to support the business on various operational and strategic areas
Common restructuring activities that can be carried out
Financial engineering to improve shareholders’ return and reduce riskiness
Manage the risks highlighted during due diligence process
Module – 8
Exit process
How to prepare the investee company for exits
Analyze various exit options and their pitfalls
How to do exit valuation
Determining the target price and exit returns
Essential concepts - Gross and net IRR, cash multiple and its relevance
Module - 9
Case Discussions
Case discussions based on past private equity transactions to explain the entire process and its implications
If you need further information, please visit www.riverstonetraining.com.sg or send mail at info@riverstonetraining.com.sg
Riverstone – Corporate Training https://www.riverstonetraining.com.sg
BCM Adds a Little Lego Levity to Traditional Holiday Displays
COVINGTON, KY-- Mammoths and minions and mansions . . .oh my!
These eclectic exhibits, all constructed from Legos, join more traditional Christmas displays in Holidays@BCM, Behringer- Crawford Museum's annual celebration.
Designed with family fun and safety in mind, Holidays@BCM
offers an engaging adventure for kids and a relaxing and
affordable break for parents amid the holiday bustle. Each of the
museum's four floors are filled with fun and action. While the
museum's Holiday Toy Trains aren't running this year due to the
pandemic, there are BCM’s animated carnival with its whirling rides and sideshow barkers and the Victorian Christmas village with its ceramic reproductions of structures from Charles Dickens’ novels.
Dancing ice dogs and glittering winter scenes from the children’s book, The Holiday Adventures of Wiley Wahoo and Me by Kenton Hills author Diana Grady fill one room at the museum, while another displays a giant Lego Quidditch World Cup stadium straight out of the pages of Harry Potter books.
Other Lego displays created by the Ohio-Kentucky- Indiana Lego Users group (OKILUG) include a miniature wooly mammoth display in the prehistoric area, bespectacled yellow minions standing guard in the galleries and an elegant “Brickmore” mansion, designed after the majestic Biltmore Estate in Asheville, NC.
A vintage kitchen display features appliances, accessories and an aluminum Christmas tree that might have been found in a midcentury suburban tenement. Antique toys, singing holiday characters and decorations throughout the museum carry out the theme of holidays through the years.
As a special gift to the community, the museum will present “BCM’s Virtual Holiday Countdown” on its Facebook page, with special performances and demonstrations by entertainers, artists and others who have partnered with BCM during the year. The preliminary line-up includes Jake Speed, Katherine Nero, Nicole Zuraitis and Dan Pugach, Cedric Cox, John Lomax and the Hills of Kentucky Dulcimers. A complete schedule and list of participants will be announced soon.
Holidays@BCM runs through Sunday, January 3, 2021. Behringer-Crawford is open from 10 a.m. to 3:30 p.m. Tuesday through Saturday and from 1 to 3:30 p.m. Sunday. Closed Mondays, Thanksgiving, Christmas and New Years Day. Check www.bcmuseum.org for special holiday hours. Admission is free for BCM members. Cost for non-members is $9 adult, $8 senior, $5 children age 3-12, free for children under 3.
For more information about Holidays@BCM, go to www.bcmuseum.org or call 859-491-4003.
The Box Office accepts Cash , Visa , Mastercard and American Express as methods of payment.
Will call is available two hours prior to the start of the event. Will call is part of the South Ticket Office, on Autumn St near Santa Clara St. Customers must present the actual credit card used for the purchase, a photo ID and the Ticketmaster confirmation number in order to receive their tickets.
The ticket office can be reached at (408) 287-9200 during business hours.
The Box Office is located at the South East corner of the Arena, on the corner of Santa Clara St and Autumn St. Box Office hours are as follows: Mon - Fri .......... 10:00AM - 3:00PM Saturday & Sunday .... Closed
SAP Center has designated seats for both wheelchair accessible seating and their companions. However, due to size constraints, companion seats will not fit a wheelchair. So patrons needing wheelchair accessible seating must purchase a wheelchair accessible seat as the SAP Center cannot turn a companion seat into a wheelchair accessible seat.
American Express, Discover, MasterCard, and Visa are accepted. Honda Center is a cashless venue.
A photo ID matching the name the tickets are placed under is required. VIP, Artist, Promoter, or other special will call requirements and locations are subject to change. Will call windows are located at the Box Office. Will call is generally available beginning 1-1/2 hours prior to the event, and closes after the start of the event (after the first intermission for Anaheim Ducks games). Late pick up will be available at the East Entrance after the box office closes.
Box office phones are answered during regular box office hours. Please note, the box office does not sell tickets by phone. Call (714) 704-2500 for general information
Monday through Friday 10am to 3pm. The box office will remain open through the beginning of weeknight events. On event Saturdays and event Sundays, the box office will open three (3) hours prior to the event and remain open through the beginning of the event. The box office is located on the east side of the building, near the East Entrance, facing the Santa Ana riverbed.
Wheelchair accessible seating is available in most areas of Honda Center including Plaza, Club, and Terrace levels. Availability of locations is dependent upon event seating configuration. For availability and exact locations based on a particular event, please toggle the Accessibility icon in the seat map filters on the Ticketmaster.com event page. The box office will have the same availability as Ticketmaster. Please note, semi-ambulatory or limited mobility seating is also available and requires the guest to navigate some steps. Wheelchair accessible seats have no steps. Hearing Impaired Guests: Assistive listening devices are available, with a picture ID as a deposit, at the Guest Services Desk located at Section 214. Requests for sign language interpreters must be received at least 14 business days prior to the event you are attending. To arrange for courtesy sign language interpreters, please either email accessibilityservices@hondacenter.com or call 714-704-2400. For a full list of ADA policies, please visit https://www.hondacenter.com/arena-info/ada-accessibility/