Cash; Check up to $100.00 w/Mass. Driver License; AMEX; Visa; MC; Discover; Diners Club
Pick up tickets starting 2 hours prior to event time. Customer must present the actual credit card used to place order and a photo I.D.
General Info Number:(617) 624-1000 Group Sales (only!): (617) 624-1805/1806 Bruins (617) 624-BEAR (Groups = 25+) Celtics (617) 523-3030 (Groups = 20+) Please do not contact Group Sales regarding sold out games!
TD Garden - Boston | Tickets, Schedule, Seating Chart, Directions (ticketmaster.com) The box office will open 2 hours prior to an event and remain open until one hour after the event begins. Please note the TD Garden Box Office does not sell tickets at the public on sale. All tickets should be purchased via www.ticketmaster.com *Hours subject to change
This is an accessible venue.
Course Description: This big data training course will provide a technical overview of Apache Hadoop for project managers, business managers and data analysts. Students will understand the overall big data space, technologies involved and will get a detailed overview of Apache Hadoop. The course will expose students to real world use cases to comprehend the capabilities of Apache Hadoop. Students will also learn about YARN and HDFS and how to develop applications and analyze Big Data stored in Apache Hadoop using Apache Pig and Apache Hive. Each topic will provide hands on experience to the students.
Introduction to Big Data
● Big Data – beyond the obvious trends
● Exponentially increasing data
● Big data sources
● Data warehousing, business intelligence, analytics, predictive statistics, data science
Survey of Big Data technologies
● First generation systems
● Second generation systems
● Enterprise search
● Visualizing and understanding data with processing
● NOSQL databases
● Apache Hadoop
Introduction to Hadoop
● What is Hadoop? Who are the major vendors?
● A dive into the Hadoop Ecosystem
● Benefits of using Hadoop
● How to use Hadoop within your infrastructure?
Introduction to MapReduce
● What is MapReduce?
● Why do you need MapReduce?
● Using Mapreduce with Java and Ruby
Introduction to Yarn
● What is Yarn?
● What are the advantages of using Yarn over classical MapReduce?
● Using Yarn with Java and Ruby
Introduction to HDFS
● What is HDFS?
● Why do you need a distributed file system?
● How is a distributed file system different from a traditional file system?
● What is unique about HDFS when compared to other file systems?
● HDFS and reliability?
● Does it offer support for compressions, checksums and data integrity?
Data Transformation
● Why do you need to transform data?
● What is Pig?
● Use cases for Pig
Structured Data Analysis?
● How do you handle structured data with Hadoop?
● What is Hive/HCatalog?
● Use cases for Hive/HCatalog
Loading data into Hadoop
● How do you move your existing data into Hadoop?
● What is Sqoop?
Automating workflows in Hadoop
● Benefits of Automation
● What is oozie?
● Automatically running workflows
● Setting up workflow triggers
Exploring opportunities in your own organization
● Framing scenarios
● Understanding how to ask questions
● Tying possibilities to your own business drivers
● Common opportunities
● Real world examples
Hands-on Exercises
● How to use Yarn within Hadoop?
● Overview of HDFS commands
● Hands-on activities with Pig
● Hands-on activities with Hive/HCatalog
● Hands-on activities with Sqoop
● Demonstration of Oozie
● Learn about the big data ecosystem
● Understand the benefits and ROI you can get from your existing data
● Learn about Hadoop and how it is transforming the workspace
● Learn about MapReduce and Hadoop Distributed File system
● Learn about using Hadoop to identify new business opportunities
● Learn about using Hadoop to improve data management processes
● Learn about using Hadoop to clarify results
● Learn about using Hadoop to expand your data sources
● Learn about scaling your current workflow to handle more users and lower your overall performance cost
● Learn about the various technologies that comprise the Hadoop ecosystem
● Learn how to write a simple mapreduce job from Java or your favorite programming language
● Learn how to use a very simple scripting language to transform your data
● Learn how to use a SQL like declarative language to analyze large quantities of data
● Learn how to connect your existing data warehouse to the Hadoop ecosystem
● Learn how to move your data to the Hadoop ecosystem
● Learn how to move the results of your data analysis to Business Intelligence Tools like Tableaux
● Learn how to automate your workflow using oozie
● Learn about polyglot persistence and identifying the right tool for the right job
● Learn about future trends in Big data and technologies to keep an eye on
● Discover tips and tricks behind successful Hadoop deployments
Box office accepts all major credit cards
Will Call is open during regular Box Office Hours and 2 hours prior to curtain.
(480) 965-3434 - Gammage information and Charge By Phone (480) 965-6678 - Gammage Group Services
Box Office is open 10am-6pm Monday - Friday and event days. The Box Office will be closed on Fridays, during the summer months.
Venue is accessible to all patrons. Seats in accessible section are limited to one companion seat. THERE IS NO ACCESSIBLE SEATING AVAILABLE IN BALCONY OR TIER SECTIONS. PATRON MUST USE STAIRS TO GAIN ACCESS TO BALCONY OR TIER SEATING.
Visa, Mastercard, Check, Cash
Will Call and ticket windows are located on the northeast side of the stadium, adjacent to the Lambeau Field Atrium.
(920) 569-7501
Monday - Friday 9am-5pm
Accessible seating is sold out on a season ticket basis. Please check NFL Ticket Exchange for availability.
REGISTRATION DOES NOT GUARANTEE YOUR SEAT. SEATS ARE AVAILABLE ON A FIRST-COME, FIRST-SERVED BASIS.
Southwest Remembered: A Story of Urban Renewal
This award-winning documentary examines the history of Southwest D.C. and how urban renewal changed the area forever. Several interviews in the film feature former Southwest residents sharing their views about the city's decision to redevelop. A post-film discussion will be facilitated by playwright Nicole J. Burton, (Swimming Up the Sun, Fred and Frieda; Last Call at the Marble Bar, Starman, Wish Me Luck).
Image courtesy The Washingtoniana Collection, D.C Public Library
No Trailer Available.
It’s just like book club but with albums! With new advances in technology, the way we consume music through our devices, apps and on demand streaming services like Pandora, Spotify and iTunes is making the idea of the “album” as an art form extinct. Get together with other music enthusiasts on Tuesday nights to discuss some of the greatest records of all-time! Listen to the album beforehand and then come prepared to discuss… there will be special guest moderators and panelists at each event! This event will feature The Rolling Stones, Let It Bleed.
Free and open to the public, but registration is required.
Cash; Check up to $100.00 w/Mass. Driver License; AMEX; Visa; MC; Discover; Diners Club
Pick up tickets starting 2 hours prior to event time. Customer must present the actual credit card used to place order and a photo I.D.
General Info Number:(617) 624-1000 Group Sales (only!): (617) 624-1805/1806 Bruins (617) 624-BEAR (Groups = 25+) Celtics (617) 523-3030 (Groups = 20+) Please do not contact Group Sales regarding sold out games!
TD Garden - Boston | Tickets, Schedule, Seating Chart, Directions (ticketmaster.com) The box office will open 2 hours prior to an event and remain open until one hour after the event begins. Please note the TD Garden Box Office does not sell tickets at the public on sale. All tickets should be purchased via www.ticketmaster.com *Hours subject to change
This is an accessible venue.
Laboratorio Pianeta (8 - 10 anni)
Il Laboratorio Pianeta è l’esperienza annuale che Codemotion kids! ha pensato per bambini e bambine dagli 8 ai 10 anni.
Nel corso di 24 incontri, i piccoli partecipanti familiarizzano con i concetti base di logica, programmazione e robotica, con un largo spazio dedicato alla creatività ed alle attività manuali (tinkering e making), considerate alla base di un apprendimento creativo delle tecnologie.>> Scopri di più sui Laboratori Annuali di Tecnologia
APPROCCIO PROJECT BASED
Grazie ad un approccio project based, i ragazzi impareranno, incontro dopo incontro, a trasformare un’idea in realtà realizzando i loro personali progetti tecnologici e digitali.>> Leggi di più sul Metodo di Apprendimento
Obiettivi Educativi
sviluppare abilità manuali e una mentalità maker;
introdurre i principi di logica;
comprendere le basi del movimento nello spazio;
approcciare i concetti di base della programmazione: sequenze, ripetizioni, condizioni, eventi;
sviluppare abilità multisensoriali,
sviluppare la creatività manuale integrandola con gli strumenti digitali;
familiarizzare con i concetti base della Robotica.
sviluppare l'attitudine al lavoro in squadra
>> Scopri alcune delle attività da Laboratorio
CALENDARIO
Durata del laboratorio: 24 lezioni da 1h 45 minInizio lezioni: 07/08/11 ottobre 2019Classi (a scelta tra):
Lunedì (a partire dal 7 ottobre): 17:30 - 19:15
Martedì (a partire dall'8 ottobre): 17:30 - 19:15
Venerdì (a partire dall'11 ottobre): 17:30 - 19:15
Prezzo del laboratorio
Promozione speciale: per tutto il mese di luglio 800€ anzichè 890€!
COSA COMPRENDE IL PREZZO DEL CORSO?
- Tutti i materiali utili allo svolgimento del corso vengono forniti da Codemotion Kids!
- E' previsto un pc per ogni partecipante
- La classe si compone di max 10 partecipanti con 1 docente ogni 7 allievi
- Tutti i partecipanti riceveranno un attestato di partecipazione alla fine del laboratorio
--
INFO UTILI:- La classe partirà solo a raggiungimento del numero minimo di iscritti- Prima di procedere all'iscrizione, i genitori sono pregati di prendere visione delle condizioni di vendita e dell'informativa per il trattamento dei dati personali
Per maggiori informazioni:
http://www.codemotionkids.com
All'iscrizione seguirà, entro 30 giorni, l'emissione di una ricevuta fiscale.
Nel caso in cui si necessiti di fattura, specificarlo nel modulo d'ordine o inoltrare la richiesta a: kids@codemotion.it
The London Screenwriters’ Festival is an annual three day conference for screenwriters.
In 2020, the LSF will be held at Regent's University London, in Regent's Park, from the17th - 19th April. Directions to the venue HERE.
For the three days, over 1,000 screenwriters, filmmakers, producers, practitioners, actors and executives congregate to share ideas, build powerful relationships, hear pitches and get a creative shot in the arm.
Most delegates report massive breakthroughs in their understanding of the business and craft, as well as huge acceleration toward their career goals. However, perhaps the most vital part of the festival is the inspiration and sense of belonging you will experience when you attend. Year on year, delegates report that the community at the festival is one of the main reasons they return.
The Main Events
During the three days of the festival there are around 130 structured seminars, classes and workshops.
There are five separate strands so that at any one moment, you can choose from up to five different sessions.
You can see the schedule for this year, here (the schedule for 2020 will start to populate in the months before the festival). You can see an evolving list of the 2020 sessions, here.
You do not need to book a place for any of these sessions, they are all on a first come, first seated basis. Occasionally, some sessions are so popular, seating will run out. We will try and give you advance warning about these sessions so you can get there early if you want to attend.
Between sessions there are half hour breaks, with a ninety minute break for lunch. Onsite, there is breakfast, lunch and dinner available, plus drinks, tea and barista coffee. The breaks are a great opportunity to network with delegates and speakers.
In the evenings (Friday and Saturday of the festival) we host networking drinks which most delegates and many speakers attend. It’s a chance to unwind, consolidate old friendships and create new relationships.
Additionally, on the Thursday night before the official opening of the festival, there is a networking party where you can pick up your pass early. Over half the delegates usually attend this Thursday event.
On the Saturday night of the festival we host The British Screenwriters’ Awards. As a festival pass holder you are invited to attend the awards on the Saturday night of the festival (seating limited to 450).
The Speakers
Every year we have around 150 industry professionals who come and speak. In the past we have played host the worlds biggest screenwriters, producers, agents and directors.
These industry experts have included…
Christopher McQuarrie (Writer – Usual Suspects, Valkyrie, Mission Impossible: Rogue Nation)
Julian Fellowes (Writer - Downton Abbey, Gosford Park)
Lynne Ramsay (Writer & Director - Ratcatcher, You Were Never Really Here)
Timothy Harris (Writer - Trading Places, Twins, Kindergarten Cop)
Ed Neumeier (Writer - Robocop, Starship Troopers)
Jeb Stuart (Writer - Die Hard, The Fugitive)
Christopher Vogler (Script Consultant & Hero's Journey Guru)
Stephen Frears (Director & Writer –The Grifters, The Queen, High Fidelity, Philomena)
Jim Uhls (Writer – Fight Club, The Destroyer, Jumper)
Steven Moffat (Screenwriter, Producer, Showrunner)
Mark Gatiss (Screenwriter, Actor)
Paul Abbott (Screenwriter, Producer)
Peter Iliff (Director & Writer – Point Break, Patriot Games, Varsity Blues)
Nick Hornby (Writer – About a Boy, Brooklyn, An Education, Fever Pitch, High Fidelity)
Charles Dance (Actor – Game of Thrones, The Imitation Game, Gosford Park)
Julian Fellowes (Writer – Downton Abbey, The Young Victoria, Gosford Park)
Carl Gottlieb (Writer – Jaws)
Nicole Perlman (Writer – Guardians of the Galaxy)
Duncan Heath (Agent)
Joel Schumacher (Director & Writer – The Lost Boys, The Client, Falling Down)
Ted Tally (Writer – Silence Of The Lambs, Red Dragon, The Juror)
Lynda La Plante (Writer – Prime Suspect, Above Suspicion)
Phil Redmond (Creator of Brookside, Grange Hill and Hollyoaks)
William Nicholson (Writer – Gladiator, Les Miserables, Shadowlands)
Charlie Brooker (Writer – Black Mirror, A Touch Of Cloth)
Joe Eszterhas (Writer – Basic Instinct, Jagged Edge)
Mike Leigh (Director & Writer – Secrets & Lies, Naked, Life Is Sweet)
David Hare (Writer – The Reader, The Hours)
Dan Mazer (Writer – Borat, Ali G)
Lisa Albert (Writer & Producer – Mad Men)
Olivia Williams (Actor – The Sixth Sense, An Education)
Over 1000 industry professionals have now presented at the LSF including execs and producers from the broadcasters, Hollywood studios, UK productions (large and small and everything in between).
Alongside the industry professionals, world class screenwriting tutors and practioners from the UK and Hollywood also attend, providing what are often the most widely attended sessions of the festival. They have included…
Pilar Alessandra (Pitching expert)
Scott Myers (Screenwriter & Educator)
Linda Aronson (non linear expert)
Julie Gray (Story expert)
Christopher Vogler (Heros Journey expert)
Linda Pogieter (Negotiation expert)
Luke Ryan (Producing expert and active producer)
Kate Leys (Script expert and also active script editor)
Additional Events
During the festival there are also separate events that are included as part of your ticket. You must apply for each of these events ahead of the festival and the process for appliaction differs slightly for each.
The British Screenwriters’ Awards
Join us in celebrating great screenwriting at the Great British Screenwriters’ Awards at the festival. It’s about time someone put the originators and architects of great storytelling front and centre.
The Great British PitchFest!
Most popular of these additional initiatives is the Great British Pitchfest where you get the chance to pitch your projects to execs, producers, agents and filmmakers. Each delegate gets ONE ninety minute slot for the Pitchfest and the booking system goes live a week before the festival.
These slots go fast so make sure you are available to book yours (we will email you about this closer to the time).
During your ninety minute slot you can pitch as many execs as you can get to – there is a queuing system and the most popular execs will have the longest queues.
Thinking strategically could get you up to eight pitches with little or no waiting in line, or as few as three if you are late, don’t plan and make poor choices. Success in the pitching will be entirely up to your preparedness, and of course a killer idea.
The Hollywood Pitchfest is a whole new evolution. We arrange video conferencing meetings with execs in Hollywood and you get to pitch online at the festival.
It’s a whole new world and whole new game. It’s the same deal as the Great British Pitchfest and slots last 90 minutes. You cannot pitch at both the British and Hollyood Pitchfests, you need to choose one.
You can read more about the PitchFest, here.
The Advanced Mentoring Script Labs
The objective of the Labs is to assist writers who have a fully developed screenplay in a specific genre, to move their work to the next level.
There are six three hour Labs at the festival, covering a variety of disciplines and topics. Within each Lab there is space for up to six writers. Each year the labs are different.
Past Labs have included ‘Writing For Disney with Finding Nemo writer Dave Reynolds, Writing The Hollywood Thriller with Basic Instinct writer Joe Eszterhas and Writing For Channel Four with former Channel Four Commissioner Gub Neal. Submissions open in July 2018 and we encourage the writers and expert leading each Lab, to connect and begin work before and after the festival. More here.
The Actors Table Read
The actors table read is an opportunity for you to get your screenplay worked on by professional actors and a director. This has proven to be our most successful initiative to date with 99.8% positive feedback from the 200 people involved last year. Previous Actors Table Read delegates have been fortunate enough to have their scripts workshopped and directed by the likes of Hollywood heavy hitters Joel Schumacher (The Lost Boys, Falling Down) and Peter Iliff (Point Break, Patriot Games).
In 2020 we aim to have 144 slots available.
If you submit a script to the process and you are selected, you will attend a one hour session where you, the director and the actors will work on one sequence (between 3 and five pages) of your script.More here, including a short behind the scenes video.
You can see the actors and directors who will work on your scripts, here.
Script Chat
After each session, speakers are invited to meet delegates in round table sessions that we call ‘Script Chats’.
These informal and intimate chats can often run for an hour or more. It’s our way of giving direct access to specific experts so that if you want to, you can take the conversation to the next level. We have found that even the biggest names are happy to spend time coaching and sharing in Script Chats. More here.
The Script Surgery
Submit a two page outline and the first ten pages of your script and we will offer expert feedback in a fifty minute one on one session.
We also operate a drop in desk over the three days of the festival. So if you want to just rock up with your script, get some feedback or ask for career advice, head over to the Script Surgery and book yourself a slot in one of the drop in sessions. More here.
You can read up about the team of script doctors, here.
The Legal Clinic
Do you have legal issues you need a lawyer to help you with? All delegates at the festival have the option to apply for the legal clinic that is run by Blue Pencil Media.
You can ask any question you like and their legal team will do their best to answer your concerns. More here.
Meet The Experts
Get a full half hour with seasoned film producers, distributors and executives.
Have your project grilled by a team of heavyweights. Meet The Experts is not for the feint hearted and you can be certain of a very tough conversation. Think Dragons Den but for writers concepts and projects. More here.
The Elevator Pitch
Feel the fear and do it anyway! The idea is simple… the elevator doors open, you step inside, only to find yourself alone with a top executive… You have 90 seconds to get them to accept your business card!
The elevator pitch will take place several times throughout the festival and always during breaks so you never need to miss a session. No booking needed, it’s first come first served. More here.
Script To Screen LIVE
Read the script, watch the film or TV show, then meet the writers, filmmakers, producers at the festival. This is a rare opportunity to get access to the script that was taken to set, then follow it through the journey of production, examining changes which can be discussed during the session at the festival.
In the past we have run ones we ran with Jeb Stuart and 'Die Hard', Jim Uhls and 'Fight Club', Peter Iliff and 'Point Break', Joe Eazterhas and ‘Basic Instinct’, Ted Tally and ‘Silence Of The Lambs’, Dave Reynolds and ‘Finding Nemo’ and Carl Gottlieb with ‘Jaws’.
Additional Workshops
During the festival and within the main sessions there will be many ‘interactive’ workshops too, where you may be invited to submit a script for editing, or to read a script in preparation for a special ‘script to screen’ session, such as the one with Joe Eszterhas and 'Basic Instinct' that we ran in 2013 or 'Silence Of The Lambs' with Ted Tally in 2015.
Festival Week
In the three days running up to the festival (Tuesday, Wednesday and Thursday) we run a series of one day masterclasses.
We have designed these to be as useful as possible for delegates, especially those traveling from great distances. They are competitively priced at £48.50 per day (for LSF delegates).
By far the most popular is Pitching Thursday with Pilar Alessandra as it sets you up for the pitch of your life in the Great British PitchFest. You can get more information on Festival Week, here.
The Writers Room
The Writers’ Room is a long established Hollywood convention that is utilized in the creation of both TV Drama and Comedy TV series, and now even feature films.
The Writers Room at the London Screenwriters Festival is a brand new initiative for this year. We will fling successful applicants right in at the Screenwriting deep-end by recreating a Writers’ Room experience which will culminate in (we are hoping and actively working on) real world pitches to top Producers and Showrunners during a live session at the festival.
The LSF Writers Rooms (we expect to run three or four with six writers in each) will give successful applicants a look behind this slightly mysterious curtain and give them a real life experience of collaborative creative writing under pressure and at it’s best; all under the guidance and leadership of some of the best professional Showrunners working in the UK today.
Don't take out word for it... Here's What Our Speakers and Execs say
LSF has done a wonderful at job fostering a tight-knit global community of screenwriters. Truly a memorable and worthwhile experience.Nicole Perlman, 'Guardians of the Galaxy'
A phenomenal blast… an unpretentious all-for-one and one-for-all camaraderie where a stimulating exchange of ideas is organic. I hope I’m invited again!Joel Schumacher, Hollywood Legend
Great speakers, great venue, smart, sensible and provocative programming – it should be an essential event in every screenwriter’s calendarJohn Yorke, former Head Ch4 Drama/BBC Drama
A huge wave of inspiration and positivity and friendship bubbles up – it’s quite palpable and vivid and a very lovely contagion.Barbara Machin, creator ‘Waking The Dead’
The Festival generates enough creative energy to light up Regent’s Park. If you’re serious about writing, do yourself a favour and get involved in this fantastic event.Ted Tally ‘Silence Of The Lambs’
BlueCat’s experience with sponsoring LSF was a walk in the park. We received great exposure at the event and our brand was greatly enhanced by our association with such a top flight organization.Gordy Hoffman, CEO Bluecat
e really interesting writers and will attend again next year.Kristin Irving , Development Executive, Cascade Media
I’m always on the look out for inspiring stories and new collaborators at the PitchFestJade Alexander, Devilishly Handsome Productions
I really enjoyed the PitchFest and meeting writers face to faceRebecca Long, Financier and Producer
The LSF is one of the best festivals that I have ever attended. There was great talent there… and I hope to find a client or so!!Brandy Rivers, Gersh Agency, Hollywood
The festival was an absolute triumph – top flight and brimming with inspiration and enthusiasm ….superb!Barbara Machin – BAFTA winning screenwriter
What a great networking tool for writers to meet producers and like-minded people…Natalie Bailey – BBC Director, Producer
Here's What Our Delegates say
LSF is an espresso hit of craft and creativity… I defy anyone to leave not buzzing and charged upPaul Draper, Screenwriter
You provide an experience that is way beyond the cost of that ticket. I don’t know how on earth you do it but THANK YOU.Lisa McMullin, Screenwriter
We had script requests from Hat Trick and the BBC at the PitchFest. It’s my first LSF and it has more than exceeded our expectations.Gareth Taylor, Screenwriter
What an exceptional three days of inspiration and education with a tribe of dreamers and believers.Mark Hampton, Screenwriter
My head is still spinning after an AMAZING weekend at the LondonSWF. The LSF team truly know how to put on a great gig! Have already signed up for next year!Sally Eastland, Screenwriter
I came to LSF last year on a whim and left with an agent and having formed a writers group through a script lab.Lisa McMullin, Screenwriter
I’ve run a Production Company for 6 years, done the fest circuit and it’s safe to say LSF was the most electric, stimulating and family like experience yet.Gary Verby, Screenwriter
I got so fired up and enthused all I wanted to do was go away and write.Lorren Boniface, Screenwriter