American Express, Visa, Mastercard, Discover
Tickets purchased in person at the box office are sent via text message at the windows.
(973) 757-6000 The Prudential Center Box Office is located inside the arena near the corner of Mulberry Street and Edison Place. Guests can enter from the corner of Mulberry Street and Edison Place, next to the Investors Bank Tower.
The Box Office is open Monday through Friday: 11am to 5pm. We are closed each Saturday and Sunday, with the exception of an event on one of those days, in which case we will open at 11am. Please visit www.prucenter.com/box-office for more information, or adjusted hours.
Accessible seating is available through Ticketmaster. Please visit ticketmaster.com to purchase accessible seating.
The Future of Agriculture
Agriculture, Food and Horticulture are key sectors throughout Southeast Asia, accounting for a substantial share of the region’s GDP and employing an important part of the workforce. With the increasing populations, climate change, rising level of urbanisation and workforce challenges due to rural depopulation in most of the ASEAN countries, there is an urgent need for innovative solutions for the agriculture sector.
Currently, the agriculture sector is undergoing digital transformation with huge potential to producers and the consumers. Introduction of digital agriculture, industrialisation and mechanisation of production processes, connectivity and data management are now set to unleash the next revolution in the history of agriculture and farming. Utilising smart IT, Drones, Machine Learning and other advanced technologies and crucially networking these assets enables more efficient use of resources, results in higher yield and production, increase efficiency and productivity and answers to the new environment.
The hosting of the inaugural Agriculture 4.0 Conference and Exhibition 2020 (Agri 4.0) is set to provide an interactive platform to discuss the opportunities offered by disruptive digital technologies to increase productivity, and access to services and markets in the agricultural sector. This will be an unparalleled meeting place for decision-makers, plantation and farms managers, digital leaders, and other business professionals to share knowledge and experience in optimising the agricultural farming process in the age of technology.
The conference represents a unique opportunity for learning, exchanging opinions, and expanding one’s network enabled by live presentations followed by dynamic networking sessions – providing the attendees with valuable insights from specialists in the sphere of agriculture technologies.
Third time's the charm, baby. ALL SEATS ARE IN THE SPLATTER ZONE! THE VENUE DOORS ONLY OPEN 30 MINUTES PRIOR TO SHOWTIME. IF YOU ARRIVE EARLIER, YOU WILL HAVE TO LINE UP AND WAIT OUTSIDE. The Mansfield's SELL-OUT SMASH of 2017 AND 2019 returns to the city that loved it SO BLOODY MUCH for the SECOND CONSECUTIVE SMASH YEAR! Zac Mansfield returns as director! Performances begin August 14th, 2020. Booking thru October 31st, 2020. Every FRIDAY and SATURDAY at 7:30PM! All tickets $40 + s/c. This hilarious show takes all the elements of the cult classic films The Evil Dead, Evil Dead 2 and Army of Darkness and combines them into one of the craziest theatrical experiences of all time. Five college students go to an abandoned cabin in the woods and accidentally unleash an evil force that turns them all into demons. It's all up to Ash (a housewares employee turned demon-killing hero) and his trusty chainsaw to save the day. Blood flies. Limbs are dismembered. Demons tell bad jokes ... and all to music. The songs in the show are completely off the wall. Titles like "All the Men in My Life Keep Getting Killed by Candarian Demons" and "What the F**k Was That?" will have audiences rolling in their seats and screaming for more and more blood. This show has fun with the horror genre and, in doing so, appeals to a wide audience. It's the only show with a "Splatter Zone"a section of the audience that gets covered in fake blood. And with this combination of blood, jokes, cheesy effects and awesome musical numbers, Evil Dead The Musical is unlike any show you've ever seen. While the Evil Dead films are the definition of cult movies, as a stage show, Evil Dead: The Musical has become a cult sensation of its own. The show played off-Broadway in New York, has broken records in Toronto, has won awards in Korea and has had more than 200 productions mounted across the globe! Recommended for ages 16+ (strong language, adult humour). Viewer discretion is advised. *While the fake blood will wash off skin, we make no guarantee and take no responsibility that it will wash out of all fabrics. Wear a white shirt (some will be for sale at the show) to have some fun and create a lasting memory! Complimentary coat check will be provided for those in the Splatter Zones.* mansfieldscabaret.com ALL SALES FINAL. NO EXCHANGES OR REFUNDS.
Cycles of My Being
Cycles of My Being is a song cycle that centers on what it means to be an African American man living in America today. The cycle was composed by pianist-percussionist Tyshawn Sorey, with lyrics by the award-winning poet Terrance Hayes, both of whom are MacArthur ‘Genius’ Grant Winners, and was co-commissioned by Opera Philadelphia, Carnegie Hall, and Lyric Opera of Chicago’s Lyric Unlimited.
Of the creation of the cycle, Brownlee said, “The idea started with the injustices we see on a daily basis. We’ve summed it up as being about ‘black male subjectivity.'” Brownlee went on, “It was important for me to do this. I’ve been 20 years as an artist, establishing a career. This was an opportunity to do more of a passion project."
Cycles of My Being had its world premiere on February 20, 2018 in Philadelphia with tenor Lawrence Brownlee, Randall Mitsuo Goosby (violin), Khari Joyner (cello), Alexander Laing (clarinet) Kevin J. Miller (piano), conducted by the composer, Tyshawn Sorey. A piano reduction version premiered in Chicago on February 22, 2018 with tenor Lawrence Brownlee and pianist Myra Huang. Brownlee then went on to tour the cycle at various venues across the United States with Huang, culminating in a performance at Carnegie Hall on April 24, 2018 with the original instrumentalists from the world premiere. Cycles of My Being had its Washington DC premiere on April 11, 2019 at the Kennedy Center, presented by Vocal Arts DC.
About Brownlee
Named 2017 “Male Singer of the Year” by both the International Opera Awards and Bachtrack, American-born tenor Lawrence Brownlee has been hailed by The Guardian as “one of the world’s leading bel canto stars.” Brownlee captivates audiences and critics around the world, and his voice has been praised by NPR as “an instrument of great beauty and expression…perfectly suited to the early nineteenth century operas of Rossini and Donizetti,” ushering in “a new golden age in high male voices” (The New York Times). Brownlee also serves as Artistic Advisor at Opera Philadelphia, helping the company to expand their repertoire, diversity efforts and community initiatives.
Highlights from last season included returns to the Royal Opera House - Covent Garden, Opernhaus Zürich, Lyric Opera of Chicago, Bayerische Staatsoper, and Opéra national de Paris, as well as the world premiere and recital tour of a new song cycle, Cycles of My Being – composed by Tyshawn Sorey, with lyrics by Terrance Hayes. The Chicago Tribune praised how “Sorey’s music allows Brownlee to do what he does best — to soar effortlessly into the vocal stratosphere, nail perfectly placed high notes and invest them with expressive meaning.”One of the most in-demand singers around the world, Brownlee has performed with nearly every leading international opera house and festival, as well as major orchestras including the Berlin Philharmonic, Philadelphia Orchestra, Chicago Symphony, New York Philharmonic, Accademia di Santa Cecilia, Boston Symphony, Cleveland Orchestra, San Francisco Symphony, and the Bayerische Rundfunk Orchestra.
In addition, Brownlee has appeared on the stages of the top opera companies around the globe, including the Metropolitan Opera, Teatro alla Scala, the Bavarian State Opera, Royal Opera House - Covent Garden, The Vienna State Opera, Opéra national de Paris, Opernhaus Zürich, the Berlin State Opera, the Gran Teatre del Liceu Barcelona, Teatro Real Madrid, Théâtre Royale de la Monnaie, and the festivals of Salzburg and Baden Baden. Broadcasts of his operas and concerts—including his 2014 Bastille Day performance in Paris, attended by the French President and Prime Minister—have been enjoyed by millions.
Brownlee’s latest album, Allegro Io Son, received a Critic’s Choice from Opera News, among numerous other accolades, and followed his previous Grammy-nominated release on Delos Records, Virtuoso Rossini Arias, which prompted New Yorker critic Alex Ross to ask “is there a finer Rossini tenor than Lawrence Brownlee?” The rest of his critically acclaimed discography and videography is a testament to his broad impact across the classical music scene. His opera and concert recordings include Il barbiere di Siviglia with the Bayerische Rundfunk Orchestra, Armida at the Metropolitan Opera, Rossini’s Stabat Mater with Accademia di Santa Cecilia, and Carmina Burana with the Berlin Philharmonic. He also released a disc of African-American spirituals entitled Spiritual Sketches with pianist Damien Sneed, which the pair performed at Lincoln Center’s American Songbook series, and which NPR praised as an album of “soulful singing” that “sounds like it’s coming straight from his heart to yours.”
Brownlee is the fourth of six children and first discovered music when he learned to play bass, drums, and piano at his family’s church in Youngstown, Ohio. He was awarded a Masters of Music from Indiana University and went onto win a Grand Prize in the 2001 Metropolitan Opera National Council auditions. Alongside his singing career, Brownlee is an avid salsa dancer and an accomplished photographer, specializing in artist portraits of his on-stage colleagues. A die-hard Pittsburgh Steelers and Ohio State football fan, Brownlee has sung the National Anthem at numerous NFL games. He is a champion for autism awareness through the organization Autism Speaks, and he is a lifetime member of Kappa Alpha Psi fraternity Inc., a historically black fraternity committed to social action and empowerment.
A special thank you to the Putnam County Visitor's Bureau for their support of the 2019/20 season.
Cash, Visa, Mastercard, Discover, & American Express
To pick up tickets, a valid government-issued photo identification is required. Hours: Monday - Friday / 9 a.m. - 3 p.m. and three (3) hours prior to any event. Location: On Church Street (north side of venue).
Venue information : 407.440.7900 Groups Sales: Amway Center events: 407.440.7900 Orlando Magic games: 407.896.2442, select "2".
Hours of Operation: Monday - Friday / 9 a.m. - 3 p.m. Summer and holiday hours may apply.
Wheelchair accessible and companion seats are available at locations dispersed throughout Amway Center, offering guests the choice of an array of prices, amenities and lines of sight. Seating locations vary depending on particular events. It is important to indicate when buying tickets if you require wheelchair accessible seating. Service animals are animals individually trained to do work or perform tasks for the benefit of an individual with a disability. Guests with disabilities are welcome to bring their service animals inside the Amway Center. Service animals may not use additional seats unless a ticket has been purchased for the adjacent seat, but may request accessible seating. Elevators : The Amway Center has fourteen (14) accessible public elavators available for all guests. Parking : Convenient accessible parking is located in the GEICO Garage, which is adjacent to the Amway Center and accessible via the pedestrian bridge on the Terrace Level (Level 3). Additional accessible parking is located in lot 9. There are also accessible parking spaces in surface lots and garages in the area surrounding the Amway Center. Visit amwaycenter.com for more information. Entrance : The Amway Center's main entrance is at the middle block of Church Street between Hughey Avenue and Division Avenue. Accessible entry is also available via the pedestrian bridge on the Terrace Level (Level 3).
Box Office accepts Visa, cash and money order. Visa is a proud sponsor of the NFL and the Cleveland Browns, and is the only card now accepted by the Browns.
Available for pickup after 9:00am on gameday at the ticket office will call windows located on the South side of the Stadium. Customer must present actual credit card, confirmation number, and photo ID.
(888) 891-1999 (toll free)(440) 891-5050
Mon-Fri: 9:00am - 5:00pm Opens 9:00am on game day
WHEELCHAIR ACCESS: Available through TM HEARING IMPAIRED: Assistive listening devices are available at any Guest Services booth located on all levels of the Stadium. A valid drivers license and/or major credit card will need to be utilized as a deposit for the equipment. ELEVATOR ACCESS: Elevator service is provided for our guests who require use of an elevator to access their seating area.
The Box Office accepts cash, MasterCard, Visa, Discover, and American Express. NO CHECKS.
Will Call orders can be picked up on the night of the event only, after 5:00 pm or two hours prior to the event, unless special arrangements are made. Customers must have their order number, a picture ID, and the actual credit card used to place the order.
Heritage Bank Center - (513) 421-4111
The Box Office is open for the public on sale of all events at the building as well as- Mon-Fri: 10:00 am - 5:00 pm Sat-Sun: Open at 12:00 noon or two hours prior to the event start time on event days only. The Box Office will close at half time the last game of the day. The Box Office will close at intermission (or when the main act goes on stage for a concert). The Box Office is located on the Plaza Level at the west end of the building facing the Ohio River and Great American Ballpark. If entering at street level, take the elevator to the 4th floor.
Heritage Bank Center is handicap accessible. Seating is available at the Box Office and through the Ticketmaster Charge-by-Phone number.