Cash, Visa, MasterCard, American Express and Discover Policies for each event may be different. Generally event will call tickets may be picked up 90 minutes prior. (210) 207-3663 Regular hours - Mon-Fri 10:00am-5:00pm Event days - vary For accessible seating, please call (210) 207-3663.
read moreCash, Visa, MasterCard, Discover, & American Express. Checks are not accepted. Will Call tickets can be picked up no earlier that 2 hours prior to the performance at the Box Office Will Call window. Customer must present the actual credit card used for the order, a valid picture ID, and the confirmation number. Customer must sign for tickets. Tickets will only be given to cardholder, no alternate persons picking up tickets will be allowed. Box office: (402) 341-1500 For group information call: (402) 599-6818. For Ticketmaster order inquiries: 800-653-8000 Mon-Fri: 10:00 AM - 6:00 PM Accessible seating is located on both the Lower Bowl and Upper Bowl. The arena has elevators and/or escalators to reach all levels. Assistive Listening Devices are available at the Guest Services area on the South side of the Arena Main Concourse. Customer must leave a driver s license or credit card that will be held until device is returned. 1 Accessible/1 Companion allowed at this venue.
read morePara iniciar a carreira na rede CENTURY 21 é realizado o Curso SER&ESTAR. A participação neste curso (formação inicial) é o primeiro contacto com o Sistema CENTURY 21, nomeadamente com os objetivos, visão, missão, valores, história, elementos e método da maior Rede Imobiliária do Mundo. Inscreva-se no SER & ESTAR em E-LEARNING e aprenda de forma mais flexível e interativa o Sistema CENTURY 21, nomeadamente o posicionamento da Marca como fator de diferenciação no mercado e a importância da Cultura Empresarial e dos procedimentos na construção do sucesso comercial na esfera imobiliária. Destinatários: Toda a Rede CENTURY 21 Modalidade: E-learning Preço: Gratuito Procedimentos e informações: Preencha a ficha de inscrição A Coordenação da Agência recebe e partilha consigo o utilizador e respetiva password para o acesso à Plataforma (enviado pela plataforma à 3ªf e 5ªf); Após a receção do utilizador e respetiva password pela Coordenação, o formando tem 7 dias para frequentar o Curso; Quando aceder aos conteúdos do Curso SER & ESTAR CENTURY 21 encontrará uma formação interativa que irá possibilitar o acesso a informação, realização de exercícios práticos, visualização de vídeos, consulta de conceitos no Glossário e de documentos na Biblioteca e ainda o acesso a botões “Saber +”; Após concluir o ponto anterior, é solicitado que realize um teste de conhecimentos, sendo que tem três tentativas para o realizar. Para efeitos de avaliação e certificação conta a nota mais alta, sendo que para obter sucesso é necessário obter uma classificação igual ou superior a 50%; A frequência e a conclusão do Curso SER & ESTAR CENTURY 21 com sucesso é obrigatória para obter o seu e-mail gratuito century21.pt e ter acesso ao CRM 21Online.
read moreThe private lesson offers more attention, more assistance, more flexibility … a great option for young children, non-swimmers, special needs, and those who have moved beyond the beginner lesson.Your accomplished instructor will focus on you and you alone – your talents, strengths and weaknesses, goals and experience. This is the perfect lesson for those who would like to take their surfing to the next level. This level of instruction is designed for students who may be hesitant to try surfing or may require more assistance. We specialize in helping students of all shapes, sizes and abilities experience the love of stand up paddleboarding.Private lessons are great for beginners who want personalized one on one instruction, children, those with special needs and intermediate surfers and are available for all ages.By completing this booking request, you acknowledge that this is a request that needs to be confirmed by our Partners. Once verified, you will receive a confirmation email.
read moreCash and All Major Credit Cards MUST HAVE PHOTO I.D. & CREDIT CARD USED TO PURCHASE TICKETS WHEN PICKING UP WILL CALL TICKETS 702-693-6143 1-855-234-7469 Group Sales (20+) Opens one hour prior to the first show and closes a half hour after the last show. To better accommodate your needs the box office has requested that special seating accommodations be solicited through their representatives
read moreCash, Visa, MasterCard, Discover, American Express Tickets purchased in advance can be left at the Will Call Window, located on the north side of the Arena next to Gate 3. • Valid ID required to pick up Will Call Tickets Miami HEAT & Arena Event Sales Information: • Miami HEAT Season Tickets & Partial Plans – (786) 777-HOOP • Miami HEAT Group Tickets – (786) 777-DUNK • Miami HEAT Premium Seats (Courtside/Flagship/Suites/Loges) – (786) 777- 4320 • Arena Event Suite Sales – (786) 777-1000 • Group Ticket & Fundraising Opportunities for Arena Family Shows (786) 777-4FUN (4386) Ticket Office hours are Monday – Friday, from 10:00 AM to 4:00 PM. Hours may be extended on event days. Arena Box Office Information – (786) 777-1250 This is an accessible venue.
read moreCassandra training is a 16 hours long LIVE Instructor-led training delivered from January 11 - February 2, 2020 over 4 weekends, 8 sessions, 2 sessions per weekend, 2 hours per session. Cassandra Training Overview Cassandra training course is designed to help you master the key concepts of Apache Cassandra including Architecture, features, Data Model, and its Administration. During this Cassandra course, you will learn how to install, configure, and monitor Cassandra. You will also learn about its integration with other Apache frameworks like Hadoop, Spark, and Kafka. Weekly Schedule 4 weekends | Saturday and Sunday every weekend 7:30 - 9:30 AM US Pacific time each day January 11 - February 2, 2020 US Pacific time Please check your local date and time for first session Features and Benefits 4 weeks, 8 sessions, 16 hours of total Instructor-led LIVE training Training material, instructor handouts and access to useful resources on the cloud provided Practical Hands on Lab exercises provided Actual code and scripts provided Real-life Scenarios What are the Objectives of the Course ? Creating Sample Application in Cassandra Configuring, Reading and Writing Data in Cassandra Integrating Cassandra with Hadoop Cassandra Data Model Cassandra Environment Understanding Cassandra Architecture Who should take this course? IT Professionals looking for a career in Cassandra IT Developers Testing professionals Those looking to refresh their Cassandra skills Analyst/Researcher Project Managers Course Outline 1. What is Big Data Technology Landscape Big Data Relevance Distributed Systems and Challenges 2. Why NoSQL Databases Relational DB vs. NoSQL Type of NoSQL Databases NoSQL Landscape CAP Theorem and Eventual Consistency Key Characteristics of NoSQL Database systems ACID vs BASE 3. Cassandra Fundamentals Distributed and Decentralized Elastic Scalability High Availability and Fault Tolerance Tuneable Consistency Row-Oriented Schema-Free High Performance 4. The Cassandra Data Model The Relational Data Model A Simple Introduction Clusters Keyspaces Hands-on Session 5. Installation and Setup of Cassandra Single Node Setup Multi-Node Cluster Setup Key Configurations for Cassandra CLI and Hands-On with Cassandra 6. Cassandra Modeling Cassandra (Column Family NoSQL DB) Key Concepts – Key Space – Column Family – Column Family Options – Wide Rows, Skinny Row – Column Sorting – Super Columns – Counter Column Family – Composite Keys and Columns – Time To Live – Secondary Indexes in Cassandra Difference between Custom Indexes and Secondary Indexes Difference between Relational Modeling and Cassandra Modeling Key Points to note while modeling a Cassandra Database Patterns and Anit-Patterns in Cassandra Modeling 7. Cassandra Architecture & Intro to CQL Anatomy of Reading operation in Cassandra Anatomy of the Write operation in Cassandra How is Deletes handled in Cassandra System Keyspace Peer to Peer Model Logical Data Model: Keyspace, Column Family/Table, Rows, Columns Traditional Ring design vs. VNodes Partitioners: Murmer3, Random (md5) and ByteOrdered Gossip and Failure Detection Anti-Entropy and Read Repair Memtables, SSTables and Commit Log Compaction fundamentals to reduce SSTable data files Hinted Handoff Compaction Bloom Filters, Tombstones Managers and Services VNodes Indexes and Caches Coordinator node Seed nodes Write/Read consistency levels: Any, One, Two, Three, Quorum Snitches: Dynamic snitching, Simple Snitch, Rack Inferring Snitch, Property File Snitch, Gossiping Property File Snitch Routing Client requests Nodetool commands: gossipinfo, cfstats, describing YAML file fundamentals Operations management web GUI Stress testing Cassandra CQL command fundamentals 8. Cassandra API Key concepts for Reading and Write in Cassandra Tunable Consistency Simple-Get, Multi-get Slice Range and Slice Slice Predicate Delete Hands-on CLI commands 9. Cassandra CQSHL SQL over Cassandra Composite Keys Hands-on examples on CQL 3.0 10. Cassandra Clients How to establish Client Connections Thrift Client Connection Pooling Auto-discovery and Failover in Hector Client with CQL 11. Cassandra Monitoring and Administration Tuning Cassandra Backup and Recovery methods Balancing Bootstrapping Node Tools Commands Upgrades Monitoring critical metrics Bulk Loading Data to Cassandra Bulk Export of Data from Cassandra Hands-on Examples for each of them 12. Cassandra Analytics and Search Clusters Cassandra Hadoop Integration Integration of Solr with Cassandra Search Query on Cassandra
read moreThe London Screenwriters’ Festival is an annual three day conference for screenwriters. In 2020, the LSF will be held at Regent's University London, in Regent's Park, from the17th - 19th April. Directions to the venue HERE. For the three days, over 1,000 screenwriters, filmmakers, producers, practitioners, actors and executives congregate to share ideas, build powerful relationships, hear pitches and get a creative shot in the arm. Most delegates report massive breakthroughs in their understanding of the business and craft, as well as huge acceleration toward their career goals. However, perhaps the most vital part of the festival is the inspiration and sense of belonging you will experience when you attend. Year on year, delegates report that the community at the festival is one of the main reasons they return. The Main Events During the three days of the festival there are around 130 structured seminars, classes and workshops. There are five separate strands so that at any one moment, you can choose from up to five different sessions. You can see the schedule for this year, here (the schedule for 2020 will start to populate in the months before the festival). You can see an evolving list of the 2020 sessions, here. You do not need to book a place for any of these sessions, they are all on a first come, first seated basis. Occasionally, some sessions are so popular, seating will run out. We will try and give you advance warning about these sessions so you can get there early if you want to attend. Between sessions there are half hour breaks, with a ninety minute break for lunch. Onsite, there is breakfast, lunch and dinner available, plus drinks, tea and barista coffee. The breaks are a great opportunity to network with delegates and speakers. In the evenings (Friday and Saturday of the festival) we host networking drinks which most delegates and many speakers attend. It’s a chance to unwind, consolidate old friendships and create new relationships. Additionally, on the Thursday night before the official opening of the festival, there is a networking party where you can pick up your pass early. Over half the delegates usually attend this Thursday event. On the Saturday night of the festival we host The British Screenwriters’ Awards. As a festival pass holder you are invited to attend the awards on the Saturday night of the festival (seating limited to 450). The Speakers Every year we have around 150 industry professionals who come and speak. In the past we have played host the worlds biggest screenwriters, producers, agents and directors. These industry experts have included… Christopher McQuarrie (Writer – Usual Suspects, Valkyrie, Mission Impossible: Rogue Nation) Julian Fellowes (Writer - Downton Abbey, Gosford Park) Lynne Ramsay (Writer & Director - Ratcatcher, You Were Never Really Here) Timothy Harris (Writer - Trading Places, Twins, Kindergarten Cop) Ed Neumeier (Writer - Robocop, Starship Troopers) Jeb Stuart (Writer - Die Hard, The Fugitive) Christopher Vogler (Script Consultant & Hero's Journey Guru) Stephen Frears (Director & Writer –The Grifters, The Queen, High Fidelity, Philomena) Jim Uhls (Writer – Fight Club, The Destroyer, Jumper) Steven Moffat (Screenwriter, Producer, Showrunner) Mark Gatiss (Screenwriter, Actor) Paul Abbott (Screenwriter, Producer) Peter Iliff (Director & Writer – Point Break, Patriot Games, Varsity Blues) Nick Hornby (Writer – About a Boy, Brooklyn, An Education, Fever Pitch, High Fidelity) Charles Dance (Actor – Game of Thrones, The Imitation Game, Gosford Park) Julian Fellowes (Writer – Downton Abbey, The Young Victoria, Gosford Park) Carl Gottlieb (Writer – Jaws) Nicole Perlman (Writer – Guardians of the Galaxy) Duncan Heath (Agent) Joel Schumacher (Director & Writer – The Lost Boys, The Client, Falling Down) Ted Tally (Writer – Silence Of The Lambs, Red Dragon, The Juror) Lynda La Plante (Writer – Prime Suspect, Above Suspicion) Phil Redmond (Creator of Brookside, Grange Hill and Hollyoaks) William Nicholson (Writer – Gladiator, Les Miserables, Shadowlands) Charlie Brooker (Writer – Black Mirror, A Touch Of Cloth) Joe Eszterhas (Writer – Basic Instinct, Jagged Edge) Mike Leigh (Director & Writer – Secrets & Lies, Naked, Life Is Sweet) David Hare (Writer – The Reader, The Hours) Dan Mazer (Writer – Borat, Ali G) Lisa Albert (Writer & Producer – Mad Men) Olivia Williams (Actor – The Sixth Sense, An Education) Over 1000 industry professionals have now presented at the LSF including execs and producers from the broadcasters, Hollywood studios, UK productions (large and small and everything in between). Alongside the industry professionals, world class screenwriting tutors and practioners from the UK and Hollywood also attend, providing what are often the most widely attended sessions of the festival. They have included… Pilar Alessandra (Pitching expert) Scott Myers (Screenwriter & Educator) Linda Aronson (non linear expert) Julie Gray (Story expert) Christopher Vogler (Heros Journey expert) Linda Pogieter (Negotiation expert) Luke Ryan (Producing expert and active producer) Kate Leys (Script expert and also active script editor) Additional Events During the festival there are also separate events that are included as part of your ticket. You must apply for each of these events ahead of the festival and the process for appliaction differs slightly for each. The British Screenwriters’ Awards Join us in celebrating great screenwriting at the Great British Screenwriters’ Awards at the festival. It’s about time someone put the originators and architects of great storytelling front and centre. The Great British PitchFest! Most popular of these additional initiatives is the Great British Pitchfest where you get the chance to pitch your projects to execs, producers, agents and filmmakers. Each delegate gets ONE ninety minute slot for the Pitchfest and the booking system goes live a week before the festival. These slots go fast so make sure you are available to book yours (we will email you about this closer to the time). During your ninety minute slot you can pitch as many execs as you can get to – there is a queuing system and the most popular execs will have the longest queues. Thinking strategically could get you up to eight pitches with little or no waiting in line, or as few as three if you are late, don’t plan and make poor choices. Success in the pitching will be entirely up to your preparedness, and of course a killer idea. The Hollywood Pitchfest is a whole new evolution. We arrange video conferencing meetings with execs in Hollywood and you get to pitch online at the festival. It’s a whole new world and whole new game. It’s the same deal as the Great British Pitchfest and slots last 90 minutes. You cannot pitch at both the British and Hollyood Pitchfests, you need to choose one. You can read more about the PitchFest, here. The Advanced Mentoring Script Labs The objective of the Labs is to assist writers who have a fully developed screenplay in a specific genre, to move their work to the next level. There are six three hour Labs at the festival, covering a variety of disciplines and topics. Within each Lab there is space for up to six writers. Each year the labs are different. Past Labs have included ‘Writing For Disney with Finding Nemo writer Dave Reynolds, Writing The Hollywood Thriller with Basic Instinct writer Joe Eszterhas and Writing For Channel Four with former Channel Four Commissioner Gub Neal. Submissions open in July 2018 and we encourage the writers and expert leading each Lab, to connect and begin work before and after the festival. More here. The Actors Table Read The actors table read is an opportunity for you to get your screenplay worked on by professional actors and a director. This has proven to be our most successful initiative to date with 99.8% positive feedback from the 200 people involved last year. Previous Actors Table Read delegates have been fortunate enough to have their scripts workshopped and directed by the likes of Hollywood heavy hitters Joel Schumacher (The Lost Boys, Falling Down) and Peter Iliff (Point Break, Patriot Games). In 2020 we aim to have 144 slots available. If you submit a script to the process and you are selected, you will attend a one hour session where you, the director and the actors will work on one sequence (between 3 and five pages) of your script.More here, including a short behind the scenes video. You can see the actors and directors who will work on your scripts, here. Script Chat After each session, speakers are invited to meet delegates in round table sessions that we call ‘Script Chats’. These informal and intimate chats can often run for an hour or more. It’s our way of giving direct access to specific experts so that if you want to, you can take the conversation to the next level. We have found that even the biggest names are happy to spend time coaching and sharing in Script Chats. More here. The Script Surgery Submit a two page outline and the first ten pages of your script and we will offer expert feedback in a fifty minute one on one session. We also operate a drop in desk over the three days of the festival. So if you want to just rock up with your script, get some feedback or ask for career advice, head over to the Script Surgery and book yourself a slot in one of the drop in sessions. More here. You can read up about the team of script doctors, here. The Legal Clinic Do you have legal issues you need a lawyer to help you with? All delegates at the festival have the option to apply for the legal clinic that is run by Blue Pencil Media. You can ask any question you like and their legal team will do their best to answer your concerns. More here. Meet The Experts Get a full half hour with seasoned film producers, distributors and executives. Have your project grilled by a team of heavyweights. Meet The Experts is not for the feint hearted and you can be certain of a very tough conversation. Think Dragons Den but for writers concepts and projects. More here. The Elevator Pitch Feel the fear and do it anyway! The idea is simple… the elevator doors open, you step inside, only to find yourself alone with a top executive… You have 90 seconds to get them to accept your business card! The elevator pitch will take place several times throughout the festival and always during breaks so you never need to miss a session. No booking needed, it’s first come first served. More here. Script To Screen LIVE Read the script, watch the film or TV show, then meet the writers, filmmakers, producers at the festival. This is a rare opportunity to get access to the script that was taken to set, then follow it through the journey of production, examining changes which can be discussed during the session at the festival. In the past we have run ones we ran with Jeb Stuart and 'Die Hard', Jim Uhls and 'Fight Club', Peter Iliff and 'Point Break', Joe Eazterhas and ‘Basic Instinct’, Ted Tally and ‘Silence Of The Lambs’, Dave Reynolds and ‘Finding Nemo’ and Carl Gottlieb with ‘Jaws’. Additional Workshops During the festival and within the main sessions there will be many ‘interactive’ workshops too, where you may be invited to submit a script for editing, or to read a script in preparation for a special ‘script to screen’ session, such as the one with Joe Eszterhas and 'Basic Instinct' that we ran in 2013 or 'Silence Of The Lambs' with Ted Tally in 2015. Festival Week In the three days running up to the festival (Tuesday, Wednesday and Thursday) we run a series of one day masterclasses. We have designed these to be as useful as possible for delegates, especially those traveling from great distances. They are competitively priced at £48.50 per day (for LSF delegates). By far the most popular is Pitching Thursday with Pilar Alessandra as it sets you up for the pitch of your life in the Great British PitchFest. You can get more information on Festival Week, here. The Writers Room The Writers’ Room is a long established Hollywood convention that is utilized in the creation of both TV Drama and Comedy TV series, and now even feature films. The Writers Room at the London Screenwriters Festival is a brand new initiative for this year. We will fling successful applicants right in at the Screenwriting deep-end by recreating a Writers’ Room experience which will culminate in (we are hoping and actively working on) real world pitches to top Producers and Showrunners during a live session at the festival. The LSF Writers Rooms (we expect to run three or four with six writers in each) will give successful applicants a look behind this slightly mysterious curtain and give them a real life experience of collaborative creative writing under pressure and at it’s best; all under the guidance and leadership of some of the best professional Showrunners working in the UK today. Don't take out word for it... Here's What Our Speakers and Execs say LSF has done a wonderful at job fostering a tight-knit global community of screenwriters. Truly a memorable and worthwhile experience.Nicole Perlman, 'Guardians of the Galaxy' A phenomenal blast… an unpretentious all-for-one and one-for-all camaraderie where a stimulating exchange of ideas is organic. I hope I’m invited again!Joel Schumacher, Hollywood Legend Great speakers, great venue, smart, sensible and provocative programming – it should be an essential event in every screenwriter’s calendarJohn Yorke, former Head Ch4 Drama/BBC Drama A huge wave of inspiration and positivity and friendship bubbles up – it’s quite palpable and vivid and a very lovely contagion.Barbara Machin, creator ‘Waking The Dead’ The Festival generates enough creative energy to light up Regent’s Park. If you’re serious about writing, do yourself a favour and get involved in this fantastic event.Ted Tally ‘Silence Of The Lambs’ BlueCat’s experience with sponsoring LSF was a walk in the park. We received great exposure at the event and our brand was greatly enhanced by our association with such a top flight organization.Gordy Hoffman, CEO Bluecat e really interesting writers and will attend again next year.Kristin Irving , Development Executive, Cascade Media I’m always on the look out for inspiring stories and new collaborators at the PitchFestJade Alexander, Devilishly Handsome Productions I really enjoyed the PitchFest and meeting writers face to faceRebecca Long, Financier and Producer The LSF is one of the best festivals that I have ever attended. There was great talent there… and I hope to find a client or so!!Brandy Rivers, Gersh Agency, Hollywood The festival was an absolute triumph – top flight and brimming with inspiration and enthusiasm ….superb!Barbara Machin – BAFTA winning screenwriter What a great networking tool for writers to meet producers and like-minded people…Natalie Bailey – BBC Director, Producer Here's What Our Delegates say LSF is an espresso hit of craft and creativity… I defy anyone to leave not buzzing and charged upPaul Draper, Screenwriter You provide an experience that is way beyond the cost of that ticket. I don’t know how on earth you do it but THANK YOU.Lisa McMullin, Screenwriter We had script requests from Hat Trick and the BBC at the PitchFest. It’s my first LSF and it has more than exceeded our expectations.Gareth Taylor, Screenwriter What an exceptional three days of inspiration and education with a tribe of dreamers and believers.Mark Hampton, Screenwriter My head is still spinning after an AMAZING weekend at the LondonSWF. The LSF team truly know how to put on a great gig! Have already signed up for next year!Sally Eastland, Screenwriter I came to LSF last year on a whim and left with an agent and having formed a writers group through a script lab.Lisa McMullin, Screenwriter I’ve run a Production Company for 6 years, done the fest circuit and it’s safe to say LSF was the most electric, stimulating and family like experience yet.Gary Verby, Screenwriter I got so fired up and enthused all I wanted to do was go away and write.Lorren Boniface, Screenwriter
read moreCash - Visa - MasterCard - American Express - Discover The Will Call Booth at Highmark Stadium is located in between gates 3 and 4. Guests may pick up their pre-paid tickets on game day. This location is open 4 hours prior to kickoff. PROPER PHOTO IDENTIFICATION IS REQUIRED. Tickets will only be released to the person who purchased the tickets. 1-877-BB-TICKS (228-4257) Box Office Hours Season Hours: 9am - 5pm, Monday - Friday 9am - 1pm, Saturdays before home games Open 4 hours prior to kick off on game days through the end of the 3rd Quarter Off Season Hours: 9am - 5pm, Monday - Friday For Buffalo Bills Tickets Only. Available at the Box Office and through Ticketmaster. Phone #: 1-877-BB-TICKS (228-4257) https://www.buffalobills.com/tickets/policies
read moreDevelop hidden talent. Strengthen the bonds between families. Encourage personal discipline. Teach lasting commitment. And do it all through a simple but exhilarating connection with the ocean environment. There are few activities that offer genuine life-changing experiences for the entire family quite like surfing. Give them the opportunity to experience the joys of surfing and your Ohana will thank you long after the boards have been stored.And to help offset the expenses of bringing the whole family to Hawaii, we’ve created a family package that’s affordable, safe, and fun for everyone. The base family lesson covers one adult and one child who is 12 years old and under, with the option to add additional family members. Family lessons are available for both one (1) hour and two (2) hour sessions.Price includes 1 adult and 1 child 12 and under. You can add on more family members after the 1st adult & child.By completing this booking request, you acknowledge that this is a request that needs to be confirmed by our Partners. Once verified, you will receive a confirmation email.
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