Cash, Visa, MasterCard, American Express, Discover
Day Of Show: Location - Daily's Place Box Office Hours - Opens at 3 PM - closes one hour after start of event The customer must present actual credit card, photo I.D., and Ticketmaster account confirmation number.
(904) 633-2000 Daily's Place & Jacksonville Jaguars
HOURS FOR DAILY'S PLACE BOX OFFICE Please call 904-633-2000 for more information. Day Of Show: Daily's Place Box Office Hours - Opens at 3 PM - closes one hour after start of event
The Daily's Place amphitheater is an accessible venue.
Cash, Visa, MasterCard, American Express, Discover
Day Of Show: Location - EverBank Stadium Box Office Hours - Varies per time of event The customer must present actual credit card, photo I.D., and Ticketmaster account confirmation number.
(904) 630-3900 (904) 633-2000 - Jacksonville Jaguars
HOURS FOR JACKSONVILLE JAGUARS In Advance: Location - EverBank Stadium Hours - Monday - Friday 9am-5pm. Day Of Show: EverBank Stadium Hours - varies per time of event FOR ALL OTHER EVENTS: Jacksonville Veterans Memorial Stadium opens Mon-Fri 10am-5pm.
The stadium is an accessible venue.
Visa, Mastercard, and American Express. No Cash
Will Call is not currently available as a delivery option. The Stadium Box Office will be open on day of game(s) to help with Mobile Ticket troubleshooting. Location: Right Field and Main Box Offices Windows Open: Spring Training: 2 hours before game. Tampa Tarpons: 1 hour before game.
(813) 879-2244
Right Field and Main Offices will only open on day of Game. Any advance sales must be made online or by contacting the Steinbrenner Field Ticket Office via phone. Hours to reach a Box Office Representative by phone are Mon-Fri 9:30am-5:30pm
This is an accessible venue.
MasterCard, Visa, Discover, Traveler's Checks, Cash, & American Express.
Pick up tickets one hour prior to show. Customer must present actual credit card used to place the order, the confirmation number and a photo I.D. Doors and plaza gates open 3 hours prior to event - seating gates - 2 hours prior to event. For non Eagles events - Will Call is on 11th St. facing the Wachovia Ctr. Will Call for the Lacrosse Event, May 28 - May 30, 2005 will be at the Chrysler Jeep Entrance/Main Ticket office.
General Info - 215.463.2500 Ticket Office - 215.463.5500 Accessible Seating - 215.463.5500
Monday - Friday 9am - 5pm Event Day - Remote ticket booth located 11th st. side of main parking lot. Non event day:Headhouse
Accessible seating is available in all levels. Limited accessible seating through Ticketmaster. Please call 215.463.5500 for accessible procedures.
„NIGHT FEVER - The Very Best Of The BEE GEES“
„NIGHT FEVER - The Very Best Of The BEE GEES“ gilt als eine der erfolgreichsten und authentischsten BEE GEES-Tribute-Shows weltweit. Keine andere Band kommt dem Original so nah. Sie haben es sich zur Aufgabe gemacht, die Hits der Bee Gees so authentisch und perfekt wie möglich zu interpretieren und dabei trotzdem der Show ihre persönliche Note zu verleihen.
Mehr zur Band --- Bee Gees Show
Zum Musiklokal --- Musiklokal Südbahnhof !!! ACHTUNG - Keine SITZPLATZGARANTIE !!!
Einlass 20:00 Uhr
Visa, Mastercard, Maestro
Tickets must be collected hy the card holder who must present the card used to book and the Ticketmaster reference number on the day of the event.
Ticketmaster UK: 0870 154 40 40 International: 00 44 161 385 3500.
Ticketmaster credit card line open 24hrs. A Box Office will be open during the event. It will not be open in advance.
See individual events for specifications.
Bringing the SAP community together for the largest SAP Partner-led event in Europe!
We are pleased to announce that #itelli2020 will once again take place at the QEII Centre, London, on Tuesday 2nd June 2020. We have secured a larger space spread over just 2 floors enabling access to larger presentation rooms, additional interactive zones and networking areas.
#itelli2020 will bring together the resources, skills and strength of itelligence and the NTT Group, and showcase the scale of our vibrant SAP community. Brought to life by compelling customer stories that firmly place data and intelligence at the centre of projects, you’ll discover how to integrate technologies, run intelligent business applications and access real time insight. The #itelli2020 conference will present an impressive line-up of SAP experts with an agenda packed full of inspiring keynotes, new customer case studies, exciting live demos, SAP consultant-led workshops, customer Q&A sessions and our complimentary networking reception.
Register today!
Returning to the studio as Watkins Family Hour, Sean and Sara Watkins consider brother sister a duo-centric record – yet one that feels bigger than just two people. With Sean primarily on guitar and Sara on fiddle, and with both of them sharing vocals, the siblings enlisted producer Mike Viola (Jenny Lewis, Mandy Moore, J.S. Ondara) and mixer-engineer Clay Blair to harness the energy and honesty of their live sound.
“From the beginning, our goal was to work on these songs to be as strong as they could be, just the two of us,” Sara explains. “And with a few exceptions on the record, that’s really how things were. It was a tight little group of us, working dense days where we could squeeze them in.”
Sean (who is four years older than Sara) adds, “Because of the limited amount of time we had collectively to spend in the studio, there was a general sense of urgency, which I think the three of us (Sara, Mike and I) kinda strive for on these days. We didn’t have that much time and that made it fun and exciting. It was just us, in one room, facing each other with some really great mics, often playing and singing at the same time, trying to capture what Sara and I do in a real way.”
For the first time, the Los Angeles-based siblings carved out time to write with each other, often during the naptime of Sara’s toddler. They took early versions of the new songs to Viola, who instinctively rearranged some of the song structures in an effort to draw attention to interesting lyrics or surprising arrangements.
“Mike brings a diverse musical-history to his production work,” Sean says. “He’s worked with a lot of people [from The Figgs to Fall Out Boy] that surpass just bluegrass or folk, but his sense of the songwriting craft and melody is right in line with us. He was bringing ideas that we would have never had, and vice versa."
As Watkins Family Hour’s first project since a self-titled debut album in 2015, brother sister begins with “The Cure,” which Sean was inspired to write after watching Tidying Up With Marie Kondo. The concept of throwing things away is evident in the lyrics; there’s also a sense of knowing that you’re in an unhealthy relationship, but still choosing to avoid fixing it.
“Part of the fun of being a songwriter is being able to write about something that started from an image and then transcends that image to speak to something greater,” Sara observes.
Sara chose the beautiful “Neighborhood Name” after hearing it on a record by Courtney Hartman and Taylor Ashton, while “Just Another Reason” is an original that Sean describes as having “a vague, nebulous vibe” lingering below the surface. In contrast, the instrumental “Snow Tunnel” is like an epiphany, titled after Sean’s memory of driving through Zion National Park, emerging from the darkness of a loud tunnel into a peaceful panorama of snow.
Moving from one landscape to the next – literally and musically -- is nothing new to Sean and Sara Watkins, who have performed separately and together for nearly their whole lives. Growing up near San Diego, they played countless shows at a local pizza place in Carlsbad, California, with their childhood friend, Chris Thile. As young adults, those three musicians broke out nationally as Nickel Creek, an acoustic ensemble that sold millions of albums, won a Grammy, and toured the world.
Encouraged by a local club owner in Los Angeles, Sean and Sara formed Watkins Family Hour in 2002 as an outlet to try out some original songs and a few covers that wouldn’t work in Nickel Creek. That club, Largo, has since become the home base for Watkins Family Hour, whose shows frequently pair musicians who seem to have little in common, yet find a shared language in their music.
With Nickel Creek on hiatus, Sean and Sara released multiple solo albums and pursued other collaborations, most recently with Sara’s involvement in I’m With Her. However, the siblings gravitated toward the idea of another Watkins Family Hour album after realizing that their calendars afforded them a rare opportunity to write, record, and tour together.
Their musical chemistry is clear on songs like “Lafayette,” an ode to Hollywood as well as the hometowns left behind by its aspiring stars; “Fake Badge, Real Gun,” about confronting authority figures as well as your own beliefs; “Miles of Desert Sand,” whose haunting coda underscores the vivid imagery of immigration; and “Bella and Ivan,” a playful instrumental named for a friend’s two dogs who love to wrestle.
Two choice covers complete brother sister. Warren Zevon’s poignant “Accidentally Like a Martyr,” which they unearthed for a tribute show, conveys all the complicated facets of love, and “Keep It Clean,” the rabble-rousing Charley Jordan gem from the ‘30s, serves as a grand finale, with David Garza, Gaby Moreno, and John C. Reilly all chiming in on vocals.
“That's just fun to sing,” Sean says. “Going into this record, we wanted to focus on the duo-centric thing, but this was a chance to lean into the group aspect, and have some of the people that have been a part of the Family Hour but weren't on the first record that we made years ago.”
However, brother sister remains exactly that – the result of a brother and sister creating music.
“It felt really good to dig into the potential of two people,” Sara says. “There are a few songs on the record where Matt Chamberlain comes in to play drums, and we filled in the low end in a few cases with Mike Viola playing MOOG or piano, but the primary goal of this record became to see what we could do when it is just the two of us. The arrangements and the writing were all focused on that. Listening now, I'm really proud of what we did. These are songs that would not have come out of either one of us individually, and it feels like a band sound, like this is what we do, the two of us.”